The Image Symbolizes of the Collective Unconscious

碩士 === 國立臺灣藝術大學 === 美術學系 === 105 === This project is based on the author's actual life experience. Combining with the use of Carl Jung's theories on psycho-analysis, collective unconsciousness, mandala meditation, mysticism, tarot cards arrangements (constellation, posture, human figures,...

Full description

Bibliographic Details
Main Authors: KUO,CHIA-CHEN, 郭佳蓁
Other Authors: CHIANG,LI-HUA
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/s2vhp7
id ndltd-TW-105NTUA0233012
record_format oai_dc
spelling ndltd-TW-105NTUA02330122019-05-15T23:24:31Z http://ndltd.ncl.edu.tw/handle/s2vhp7 The Image Symbolizes of the Collective Unconscious 集體無意識的圖像寓意 KUO,CHIA-CHEN 郭佳蓁 碩士 國立臺灣藝術大學 美術學系 105 This project is based on the author's actual life experience. Combining with the use of Carl Jung's theories on psycho-analysis, collective unconsciousness, mandala meditation, mysticism, tarot cards arrangements (constellation, posture, human figures, animals, plants, outfits and other objects and backgrounds), it sets out to consider the basic ingredients of artistic creation. In regard to creative theories, the research investigates Louis Wain's psychedelic imagery, Adolf Wölfli's primitivism, Especially, the author is fascinated with Carl Jung's The Red Book and its creation process. From 1914 to 1930, Jung continuously documented the narratives in it, reflecting a period of total hardship and mental torment, However, the book is so beautifully presented with Gothic fonts and vmbolic imagery that the feelings and emotions within Jung can be thoroughly conveyed to the readers, thus bearing comforting and healing effects. Furthermore, the author mainly use the art works that were created from 2013 to 2017 in order to summarize what conditions are necessary for the creation, be it metaphors, self-reflection, imagery transformed into symbolic languages. They are arguably the instruments to enable the artist to feel their unconsciousness, thus making judgments that are directly affected by thoughts, feelings, instincts. They are true to their style of documentation of what is in the artist's mind. The self-exploration is thus realized. Through many phases of creation and examination, the author was finally able to interpret the real meanings in relation to the collective unconsciousness the imagery and colors within the art works contained in the research bear. As a result, the author can obtain a new insight into the appropriate perspective and establish unique creative symbolism and artistic style. CHIANG,LI-HUA 姜麗華 2017 學位論文 ; thesis 90 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺灣藝術大學 === 美術學系 === 105 === This project is based on the author's actual life experience. Combining with the use of Carl Jung's theories on psycho-analysis, collective unconsciousness, mandala meditation, mysticism, tarot cards arrangements (constellation, posture, human figures, animals, plants, outfits and other objects and backgrounds), it sets out to consider the basic ingredients of artistic creation. In regard to creative theories, the research investigates Louis Wain's psychedelic imagery, Adolf Wölfli's primitivism, Especially, the author is fascinated with Carl Jung's The Red Book and its creation process. From 1914 to 1930, Jung continuously documented the narratives in it, reflecting a period of total hardship and mental torment, However, the book is so beautifully presented with Gothic fonts and vmbolic imagery that the feelings and emotions within Jung can be thoroughly conveyed to the readers, thus bearing comforting and healing effects. Furthermore, the author mainly use the art works that were created from 2013 to 2017 in order to summarize what conditions are necessary for the creation, be it metaphors, self-reflection, imagery transformed into symbolic languages. They are arguably the instruments to enable the artist to feel their unconsciousness, thus making judgments that are directly affected by thoughts, feelings, instincts. They are true to their style of documentation of what is in the artist's mind. The self-exploration is thus realized. Through many phases of creation and examination, the author was finally able to interpret the real meanings in relation to the collective unconsciousness the imagery and colors within the art works contained in the research bear. As a result, the author can obtain a new insight into the appropriate perspective and establish unique creative symbolism and artistic style.
author2 CHIANG,LI-HUA
author_facet CHIANG,LI-HUA
KUO,CHIA-CHEN
郭佳蓁
author KUO,CHIA-CHEN
郭佳蓁
spellingShingle KUO,CHIA-CHEN
郭佳蓁
The Image Symbolizes of the Collective Unconscious
author_sort KUO,CHIA-CHEN
title The Image Symbolizes of the Collective Unconscious
title_short The Image Symbolizes of the Collective Unconscious
title_full The Image Symbolizes of the Collective Unconscious
title_fullStr The Image Symbolizes of the Collective Unconscious
title_full_unstemmed The Image Symbolizes of the Collective Unconscious
title_sort image symbolizes of the collective unconscious
publishDate 2017
url http://ndltd.ncl.edu.tw/handle/s2vhp7
work_keys_str_mv AT kuochiachen theimagesymbolizesofthecollectiveunconscious
AT guōjiāzhēn theimagesymbolizesofthecollectiveunconscious
AT kuochiachen jítǐwúyìshídetúxiàngyùyì
AT guōjiāzhēn jítǐwúyìshídetúxiàngyùyì
AT kuochiachen imagesymbolizesofthecollectiveunconscious
AT guōjiāzhēn imagesymbolizesofthecollectiveunconscious
_version_ 1719146005286354944