Virtually versus Reality – Description of Ready-Made Creation from Kuan-Yu Chen

• Main Authors: CHEN,KUAN-YU, 陳冠佑
• Other Authors: KUO,BOR-JOU
• Format: Others
• Language: zh-TW
• Published: 2017
• Online Access: http://ndltd.ncl.edu.tw/handle/4myfg7

碩士 === 國立臺北教育大學 === 藝術與造形設計學系碩士班 === 105 === Abstract In this description of creation, the author used “Ready-Mades” as main mediums of creation and took his family background as a start point to create artworks. The author reflected himself and was aware of the meaning of his existence through the process of creation and artworks. This description of creation, containing five chapters, was to explore the connection between the artworks and self-relationship and apply Carl Jung's (1900) Analytical Psychology Theory to clarify the author’s context system. Chapter One, Introduction, includes two sections; one, the motivation of creation, depicted the reasons why the author created artworks, what the origins of creation were, and the other one, the purpose of creation, probed whether the author wanted to express or look for any kind of meanings through artworks in the process of creation. “Ready-Made” as the beginning of the Chapter Two, Creation of Theory and Rationale. This section was to analyze how artists used Ready-Mades as mediums to create artworks and how they influenced the author’s creation. The second section of this chapter described how “Shadow” and “Persona” from Jung’s (1900) Analytical Psychology Theory were applied to scrutinize the author’s artworks and the inner images of his subconscious. Chapter Three, Methods of and Contents of Creation, described how the changes of author’s inner mind to influence his creation of thoughts. In this chapter, the changes of three series of the contents of creation as main subjects were explored and discussed. Besides, in terms of creation mediums, the author dissected the factors that made artworks more complete.