Little Macau—The Printmaking Creative Discourse of Leong Wai Lap

碩士 === 國立臺灣師範大學 === 美術學系 === 105 === Abstract The title of this discourse is “Little Macau.”It reveals and reflects the changes of the living environment of my life in Macau, and the changes of my inner world as well.Through creating relief prints, I want to discuss self-reflections, cultural identi...

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Main Authors: Leong, Wai-Lap, 梁偉立
Other Authors: Chung , You-Hui
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/2z8a94
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spelling ndltd-TW-105NTNU52330442019-05-15T23:46:58Z http://ndltd.ncl.edu.tw/handle/2z8a94 Little Macau—The Printmaking Creative Discourse of Leong Wai Lap 小澳門—梁偉立版畫創作論述 Leong, Wai-Lap 梁偉立 碩士 國立臺灣師範大學 美術學系 105 Abstract The title of this discourse is “Little Macau.”It reveals and reflects the changes of the living environment of my life in Macau, and the changes of my inner world as well.Through creating relief prints, I want to discuss self-reflections, cultural identities, and searching for fantastic beautiful living environment. I feel nowadays the city of Macau lacks a sense of security; some people have deviant social values, and the citizens are not able to protect or maintain our cultural core value, etc. In the process of creating artworks, I try to reflect and explore the imbalance of the living environment of Macau.In the end, I am able to form a different view toward Macau, and present a series of imagery of fantastic beautiful living environment. There are five chapters in the discourse: Chapter 1 is the “Introduction,” which covers the motivation, purpose,methodology, research structure, and the terminology. Chapter 2 is the “Theoretical Basis,” which discusses the psychological description and the aesthetic about the living environment, as well as my concern of the living environmental issues. Chapter 3 is the “Creation Practice,” which includes the overall creative concept,and discusses the contents, expression forms, printmaking techniques, and materials. Chapter 4 is the “Interpretation of Creation,” which explains the creative concept for individual artworks, and further analyzes the contents, forms, and techniques. Chapter 5 is the “Conclusion, “which reviews the creative goals and achievements,and discusses the perspectives of the future. Keywords: little Macau, living environment, relief prints, cultural identities. Chung , You-Hui 鐘有輝 2017 學位論文 ; thesis 95 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺灣師範大學 === 美術學系 === 105 === Abstract The title of this discourse is “Little Macau.”It reveals and reflects the changes of the living environment of my life in Macau, and the changes of my inner world as well.Through creating relief prints, I want to discuss self-reflections, cultural identities, and searching for fantastic beautiful living environment. I feel nowadays the city of Macau lacks a sense of security; some people have deviant social values, and the citizens are not able to protect or maintain our cultural core value, etc. In the process of creating artworks, I try to reflect and explore the imbalance of the living environment of Macau.In the end, I am able to form a different view toward Macau, and present a series of imagery of fantastic beautiful living environment. There are five chapters in the discourse: Chapter 1 is the “Introduction,” which covers the motivation, purpose,methodology, research structure, and the terminology. Chapter 2 is the “Theoretical Basis,” which discusses the psychological description and the aesthetic about the living environment, as well as my concern of the living environmental issues. Chapter 3 is the “Creation Practice,” which includes the overall creative concept,and discusses the contents, expression forms, printmaking techniques, and materials. Chapter 4 is the “Interpretation of Creation,” which explains the creative concept for individual artworks, and further analyzes the contents, forms, and techniques. Chapter 5 is the “Conclusion, “which reviews the creative goals and achievements,and discusses the perspectives of the future. Keywords: little Macau, living environment, relief prints, cultural identities.
author2 Chung , You-Hui
author_facet Chung , You-Hui
Leong, Wai-Lap
梁偉立
author Leong, Wai-Lap
梁偉立
spellingShingle Leong, Wai-Lap
梁偉立
Little Macau—The Printmaking Creative Discourse of Leong Wai Lap
author_sort Leong, Wai-Lap
title Little Macau—The Printmaking Creative Discourse of Leong Wai Lap
title_short Little Macau—The Printmaking Creative Discourse of Leong Wai Lap
title_full Little Macau—The Printmaking Creative Discourse of Leong Wai Lap
title_fullStr Little Macau—The Printmaking Creative Discourse of Leong Wai Lap
title_full_unstemmed Little Macau—The Printmaking Creative Discourse of Leong Wai Lap
title_sort little macau—the printmaking creative discourse of leong wai lap
publishDate 2017
url http://ndltd.ncl.edu.tw/handle/2z8a94
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