| Summary: | 碩士 === 國立高雄師範大學 === 國文學系 === 105 === Abstract
This article mainly explores the woman’s writing research in Zhong Xiaoyang 's novels. In many schools of writing, what Zhong Xiaoyang presents are woman’s writing Kuei-hsiu Literature, novels with unique details of women, and nonlinear narrative, which all represent another layer of meaning in signifier in the text. First of all, using feminine writing in the West and the East to explain the meaning and the value of female literature, in order to explore its point of view in woman’s writing ,and analyze the autonomy perspective in female writing. Then from the disciples/followers of "Zhang ailing" in Hong Kong, we show that Zhong Xiaoyang continued this Kuei-hsiu Literature context, and she learned from and shared knowledge with San San Literary Group of Taiwan, thus created the phrase “Chang-Hu writing style”. The female images and the perspective throughout Zhong Xiaoyang 's novels shaped the text in the depiction of the realm, and referred to the different appearance of women. At last, from the image skill in novels and the connection of inside and outside of the text, we gradually make out a full outline of Zhong Xiaoyang’s female novels. This paper has collected and selected the needed information of, therefore we can see Zhong Xiaoyang from her early work of A Pinwheel Without Wind to the book “The Record of Sadness”, which describes easiness in reaching middle age , how the agitation of the ups and downs of life and the meaning of female writing , and depicts the narrative aesthetics and art level in the gaze of gaza.
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