| Summary: | 碩士 === 國立東華大學 === 音樂學系 === 105 === In early Taiwan, western music development has strongly connections with western religion since Presbyterian church has been brought to Taiwan. And during the Japanese colonial period, we start to create our own music type.
The first chapter is Introduction.The second chapter is to discuss the initial and the development of Presbyterian church hymns, and then the introduction of the hard works and influence that missionaries - like James Laidlaw Maxwell and George Leslie Mackay - had brought to Presbyterian church hymns.The third chapter takes a deep look and analysis to the contemporary Composer: Tyzen Hsiao, about his creation and distribution to religion solos.The fourth chapter is the performance analysis, research and comparison between three local religion solos: <祢居住的所在>, <雖然行過死蔭的山谷>, <主呀！我情願>. And the fifth chapter is Conclution.
|
|---|
