Isabel Archer as a “Fortune-Hunter” in The Portrait of a Lady

碩士 === 國立中央大學 === 英美語文學系 === 105 === This thesis aims to analyze how Isabel Archer forms herself as the “fortune-hunter” in The Portrait of a Lady. The “fortune-hunter,” which means the controller of her destiny, is shaped by her interaction with the outside world. The incidents happening in the out...

Full description

Bibliographic Details
Main Authors: Ji-rong Lin, 林季蓉
Other Authors: Chang-jui Kuo
Format: Others
Language:en_US
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/zrn8dt
id ndltd-TW-105NCU05237001
record_format oai_dc
spelling ndltd-TW-105NCU052370012019-05-15T23:17:15Z http://ndltd.ncl.edu.tw/handle/zrn8dt Isabel Archer as a “Fortune-Hunter” in The Portrait of a Lady Ji-rong Lin 林季蓉 碩士 國立中央大學 英美語文學系 105 This thesis aims to analyze how Isabel Archer forms herself as the “fortune-hunter” in The Portrait of a Lady. The “fortune-hunter,” which means the controller of her destiny, is shaped by her interaction with the outside world. The incidents happening in the outside world are the major forces in the process of her formation. Thus, I will categorize these external forces into three groups and discuss them respectively in each chapter. In Chapter II, I will study the intersection of American and European cultures by investigating the differences between them. In addition, I will also discuss why Henry James is concerned about the relationship between America and Europe. By looking at these facets, we may have a clear understanding of Isabel’s changes as well as James’s intention of displaying international themes in The Portrait of a Lady. In Chapter III, I would like to analyze Isabel’s modulations of the differences between tradition and modernity. These differences are presented in her interaction with other characters. Significantly, swinging between tradition and modernity, Isabel does not stick to certain concepts in both sides; rather, she shows her flexibility. As well as differences between cultures or tradition and modernity, time and space, which will be defined more clearly in Chapter IV, are also major forces from the outside world. In this section, I will not only focus on how time and space influence Isabel’s formation but also on James skills of writing and narration. Finally, the conclusion reiterates the subject of this thesis: Isabel is a fortune-hunter in her own life. It gives readers a positive view of this novel, which is different from regarding Isabel’s life as a tragedy. Moreover, by scrutinizing the external forces, readers will have a new perspective, which will contribute to the reading of the novel as a whole. Chang-jui Kuo 郭章瑞 2017 學位論文 ; thesis 94 en_US
collection NDLTD
language en_US
format Others
sources NDLTD
description 碩士 === 國立中央大學 === 英美語文學系 === 105 === This thesis aims to analyze how Isabel Archer forms herself as the “fortune-hunter” in The Portrait of a Lady. The “fortune-hunter,” which means the controller of her destiny, is shaped by her interaction with the outside world. The incidents happening in the outside world are the major forces in the process of her formation. Thus, I will categorize these external forces into three groups and discuss them respectively in each chapter. In Chapter II, I will study the intersection of American and European cultures by investigating the differences between them. In addition, I will also discuss why Henry James is concerned about the relationship between America and Europe. By looking at these facets, we may have a clear understanding of Isabel’s changes as well as James’s intention of displaying international themes in The Portrait of a Lady. In Chapter III, I would like to analyze Isabel’s modulations of the differences between tradition and modernity. These differences are presented in her interaction with other characters. Significantly, swinging between tradition and modernity, Isabel does not stick to certain concepts in both sides; rather, she shows her flexibility. As well as differences between cultures or tradition and modernity, time and space, which will be defined more clearly in Chapter IV, are also major forces from the outside world. In this section, I will not only focus on how time and space influence Isabel’s formation but also on James skills of writing and narration. Finally, the conclusion reiterates the subject of this thesis: Isabel is a fortune-hunter in her own life. It gives readers a positive view of this novel, which is different from regarding Isabel’s life as a tragedy. Moreover, by scrutinizing the external forces, readers will have a new perspective, which will contribute to the reading of the novel as a whole.
author2 Chang-jui Kuo
author_facet Chang-jui Kuo
Ji-rong Lin
林季蓉
author Ji-rong Lin
林季蓉
spellingShingle Ji-rong Lin
林季蓉
Isabel Archer as a “Fortune-Hunter” in The Portrait of a Lady
author_sort Ji-rong Lin
title Isabel Archer as a “Fortune-Hunter” in The Portrait of a Lady
title_short Isabel Archer as a “Fortune-Hunter” in The Portrait of a Lady
title_full Isabel Archer as a “Fortune-Hunter” in The Portrait of a Lady
title_fullStr Isabel Archer as a “Fortune-Hunter” in The Portrait of a Lady
title_full_unstemmed Isabel Archer as a “Fortune-Hunter” in The Portrait of a Lady
title_sort isabel archer as a “fortune-hunter” in the portrait of a lady
publishDate 2017
url http://ndltd.ncl.edu.tw/handle/zrn8dt
work_keys_str_mv AT jironglin isabelarcherasafortunehunterintheportraitofalady
AT línjìróng isabelarcherasafortunehunterintheportraitofalady
_version_ 1719144325747572736