From Body, Dance to Creation

碩士 === 國立交通大學 === 應用藝術研究所 === 105 === In July 9,2016, the TransArt NCTU held a series of performances "Calligraphy Yes!” in the National Taiwan Art Education Center. In the series of performances, it was a fortunate for me to cooperate with Shumin Lin to create a dance interactive performance...

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Bibliographic Details
Main Authors: Cao,Xin-Ming, 曹心明
Other Authors: Lai, Wen-Shu
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/snqdsz
Description
Summary:碩士 === 國立交通大學 === 應用藝術研究所 === 105 === In July 9,2016, the TransArt NCTU held a series of performances "Calligraphy Yes!” in the National Taiwan Art Education Center. In the series of performances, it was a fortunate for me to cooperate with Shumin Lin to create a dance interactive performance “Mysterious Unripe Body" and interactive art “Unripe Body”. This paper focuses on reviewing and analysising creative process and thinking concept of these two works. In the process of creating “Mysterious Unripe Body”, whether during live performance or image shooting section, dancers were all asked to use their dance body to write the words, thus the possiblity of "calligraphy-body" and "calligraph- dance-body" in this work can be opened. Three dancers and two calligraphers, these five people produced a special intertwined,and infiltratede relationship.At this moment, compared to the traditional calligraphy, the body of the writing calligraphy changed from the calligraphers’ shoulder, elbow,and hand into a complete dancer’s body; for dancers, since the use of the body to re-interpretated calligraphy, the dance no longer control the body in the previous way, and that will produce changes in the state of dance-body. So it can be said that because of calligraphy involved in dance, the dancers body figure is redefined. I hope that through the analysis of such a body schema, the creative space of dance and calligraphy can be further expanded.