| Summary: | 碩士 === 國立交通大學 === 應用藝術研究所 === 105 === The thesis discusses the author’s works from 2015 to 2016 with the theme “isolation”, and the author’s graduate work “Pjele’s Phonograph”. The first chapter presents the author’s artist statement and reveal the theme “isolation”. In the second chapter, the author reviews different isolated situations in works such as “Border Bus”, “Silver Plate”, “Anton, under the Table”, and how she reconnects the isolated beings in the stories, by referring the concept of Ouroboros and Hua-yen Buddhism. In the third chapter, the author discusses how she extends the theme “isolation” to “vice” in “Pjele’s Phonograph”. The discussion also includes how she organizes the plots concerning the formation of and confrontation with vice by parallel narrative, how she attempts to deepen the content by using collage, and how she supports her viewpoint toward vice by referring Nazi’s anti-Jew movement and Jung's Model of Typology. In the end of the chapter, the author reexamines the work by referring the documentary “Le Moulin” and novel “The Wind-Up Bird Chronicle”. The fourth chapter reviews forms of the author’s past works, and claims a new statement of her future work.
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