| Summary: | 碩士 === 國立中興大學 === 中國文學系所 === 105 === The thesis aims to analyze Wong Kar-wai''s 1960s trilogy in Ｈong Kong –Days of Being Wild, In the Mood for Love, 2046 – through narrative structure and from the perspective of shot composition. Standing out among a horde of new wave filmmakers, Wong Kar-wai, the young director whose unique postmodern shooting style and distinctive film editing technique had earned him numerous awards, was ultimately bestowed upon the repute of a famous Chinese director. Most of the researches on him revolved around the analysis of his postmodern style and at narrative level. The researcher found that Wong Kar-wai''s movies narrative structures distinguished themselves from the classic The Hero Journey narrative structure and can be viewed as a dialectical material for further reasoning with it. These three movies differed themselves from how most movies were accustomed to present the main characters; they took on a novel construction and recognition on it. Moreover, many designs for sounds and objects in the movies were intended for metaphors. The researcher, through narrative structure and from the perspective of shot composition, induced the hidden contexts in these movies.
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