The Conformation of the Stage Set for The Room ( by Harold Pinter) by Analyzing The Fear and The Stage Semiotics.

碩士 === 國立臺北藝術大學 === 劇場設計學系碩士班 === 104 === This study is aim to discuss the formation of “fear” as well as a variety of reactions when people are in face of fear by analyzing the production《The Room》by Harold Pinter. I transformed text analysis and visual research into stage semiotics and other desig...

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Bibliographic Details
Main Authors: Jian-Nan,Cai, 蔡建男
Other Authors: Shih-Hsing Wang
Format: Others
Language:zh-TW
Published: 2016
Online Access:http://ndltd.ncl.edu.tw/handle/927u65
Description
Summary:碩士 === 國立臺北藝術大學 === 劇場設計學系碩士班 === 104 === This study is aim to discuss the formation of “fear” as well as a variety of reactions when people are in face of fear by analyzing the production《The Room》by Harold Pinter. I transformed text analysis and visual research into stage semiotics and other design elements, and utilized them in the actual production, trying to discover how to transfer design elements to real performance space. In the process, my design context and method was built, and through the review of designing process, I looked back my own strengths and weakness for perusing better method in the future.