EFFORT TO EFFORTLESS PERFORMANCE ? -An Actor''s Creative Work on His Four Roles in K24
碩士 === 國立臺北藝術大學 === 劇場藝術創作研究所表演組 === 104 === In his graduation production K24, presented in the final year of his MFA Acting Program at Taipei National University of the Arts, Po-Fu Wu performs multiple characters throughout the piece. This report discusses four of these characters from K24. The pur...
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ndltd-TW-104TNUA56090192019-05-15T23:09:28Z http://ndltd.ncl.edu.tw/handle/52t8uy EFFORT TO EFFORTLESS PERFORMANCE ? -An Actor''s Creative Work on His Four Roles in K24 何以無招勝有招?—《K24》之四位角色創作實踐 Po-Fu Wu 吳柏甫 碩士 國立臺北藝術大學 劇場藝術創作研究所表演組 104 In his graduation production K24, presented in the final year of his MFA Acting Program at Taipei National University of the Arts, Po-Fu Wu performs multiple characters throughout the piece. This report discusses four of these characters from K24. The purpose is to demonstrate how an actor’s relentless training and rehearsing leads to effortless acting, as perceived by the audience. The report begins by discussing Po-Fu Wu’s training history, how he got into K24 and the acting techniques used to prepare for the different acting roles. Next it addresses the problems of fear and anxiety that arise while performing the various characters on stage. These obstacles impede the actor’s flow and are what the actor faces in order to achieve effortless performance. Ru-Ping Lin 林如萍 2016 學位論文 ; thesis 86 zh-TW |
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碩士 === 國立臺北藝術大學 === 劇場藝術創作研究所表演組 === 104 === In his graduation production K24, presented in the final year of his MFA Acting Program at Taipei National University of the Arts, Po-Fu Wu performs multiple characters throughout the piece. This report discusses four of these characters from K24. The purpose is to demonstrate how an actor’s relentless training and rehearsing leads to effortless acting, as perceived by the audience. The report begins by discussing Po-Fu Wu’s training history, how he got into K24 and the acting techniques used to prepare for the different acting roles. Next it addresses the problems of fear and anxiety that arise while performing the various characters on stage. These obstacles impede the actor’s flow and are what the actor faces in order to achieve effortless performance.
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author2 |
Ru-Ping Lin |
author_facet |
Ru-Ping Lin Po-Fu Wu 吳柏甫 |
author |
Po-Fu Wu 吳柏甫 |
spellingShingle |
Po-Fu Wu 吳柏甫 EFFORT TO EFFORTLESS PERFORMANCE ? -An Actor''s Creative Work on His Four Roles in K24 |
author_sort |
Po-Fu Wu |
title |
EFFORT TO EFFORTLESS PERFORMANCE ? -An Actor''s Creative Work on His Four Roles in K24 |
title_short |
EFFORT TO EFFORTLESS PERFORMANCE ? -An Actor''s Creative Work on His Four Roles in K24 |
title_full |
EFFORT TO EFFORTLESS PERFORMANCE ? -An Actor''s Creative Work on His Four Roles in K24 |
title_fullStr |
EFFORT TO EFFORTLESS PERFORMANCE ? -An Actor''s Creative Work on His Four Roles in K24 |
title_full_unstemmed |
EFFORT TO EFFORTLESS PERFORMANCE ? -An Actor''s Creative Work on His Four Roles in K24 |
title_sort |
effort to effortless performance ? -an actor''s creative work on his four roles in k24 |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/52t8uy |
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