Manuel de Falla’s Suite Populaire Espagnole The Analysis and Comparison between Violin and Vocal Versions

碩士 === 國立臺南藝術大學 === 鋼琴合作藝術研究所 === 104 === Abstract When collaborative pianists work with musicians, they often have the opportunity to play the same repertoires arranged for different instruments. As a collaborative pianist, we have to assist other players to display the unique characters of the ins...

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Main Authors: Yuchen lu, 盧昱誠
Other Authors: LI fang su
Format: Others
Language:zh-TW
Published: 2016
Online Access:http://ndltd.ncl.edu.tw/handle/18175507387099604188
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spelling ndltd-TW-104TNCA57810112017-05-05T04:26:54Z http://ndltd.ncl.edu.tw/handle/18175507387099604188 Manuel de Falla’s Suite Populaire Espagnole The Analysis and Comparison between Violin and Vocal Versions 法雅<七首西班牙民歌組曲>小提琴版本與聲樂版本比較分析 Yuchen lu 盧昱誠 碩士 國立臺南藝術大學 鋼琴合作藝術研究所 104 Abstract When collaborative pianists work with musicians, they often have the opportunity to play the same repertoires arranged for different instruments. As a collaborative pianist, we have to assist other players to display the unique characters of the instruments and maintain the balance. After Falla’s opera “La vida breve” performed in Paris in 1905,Falla was asked to make arrangement for by a singer and a vocal teacher of Greece asked Falla to rearrange for several Greek folk songs. These songs received a great success and inspired Falla to use spinsh the elements compose “Siete Canciones populares Espaňolas.” In 1915, the sprano Luisa Vela gave the debut of “Siete Canciones populares Espaňolas” and Falla plated as piannist. Except the original version for vocal and piano The Polish violinist Pawel Kochanski also transcried it for the violin and piano. both version are often performed in the concert in vecent day . This report will compare the difference between the vocal and the violin versions with the views of collaborative pianist, in order to realize how to interpret and make a perfect effect in difference versions. LI fang su 蘇俐方 2016 學位論文 ; thesis 55 zh-TW
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description 碩士 === 國立臺南藝術大學 === 鋼琴合作藝術研究所 === 104 === Abstract When collaborative pianists work with musicians, they often have the opportunity to play the same repertoires arranged for different instruments. As a collaborative pianist, we have to assist other players to display the unique characters of the instruments and maintain the balance. After Falla’s opera “La vida breve” performed in Paris in 1905,Falla was asked to make arrangement for by a singer and a vocal teacher of Greece asked Falla to rearrange for several Greek folk songs. These songs received a great success and inspired Falla to use spinsh the elements compose “Siete Canciones populares Espaňolas.” In 1915, the sprano Luisa Vela gave the debut of “Siete Canciones populares Espaňolas” and Falla plated as piannist. Except the original version for vocal and piano The Polish violinist Pawel Kochanski also transcried it for the violin and piano. both version are often performed in the concert in vecent day . This report will compare the difference between the vocal and the violin versions with the views of collaborative pianist, in order to realize how to interpret and make a perfect effect in difference versions.
author2 LI fang su
author_facet LI fang su
Yuchen lu
盧昱誠
author Yuchen lu
盧昱誠
spellingShingle Yuchen lu
盧昱誠
Manuel de Falla’s Suite Populaire Espagnole The Analysis and Comparison between Violin and Vocal Versions
author_sort Yuchen lu
title Manuel de Falla’s Suite Populaire Espagnole The Analysis and Comparison between Violin and Vocal Versions
title_short Manuel de Falla’s Suite Populaire Espagnole The Analysis and Comparison between Violin and Vocal Versions
title_full Manuel de Falla’s Suite Populaire Espagnole The Analysis and Comparison between Violin and Vocal Versions
title_fullStr Manuel de Falla’s Suite Populaire Espagnole The Analysis and Comparison between Violin and Vocal Versions
title_full_unstemmed Manuel de Falla’s Suite Populaire Espagnole The Analysis and Comparison between Violin and Vocal Versions
title_sort manuel de falla’s suite populaire espagnole the analysis and comparison between violin and vocal versions
publishDate 2016
url http://ndltd.ncl.edu.tw/handle/18175507387099604188
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