The Analysis and Interpretation of Beethoven's Sonata for Piano and Violin, Op. 30-3
碩士 === 國立臺南藝術大學 === 鋼琴合作藝術研究所 === 104 === Ludwing van Beethoven was a great German composer, and a crucial figure in the transition between the Classical and Romantic eras in the Western music. His ten sonatas for violin and piano are considered as important works in the violin repertoire. The...
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ndltd-TW-104TNCA57810062017-05-05T04:26:54Z http://ndltd.ncl.edu.tw/handle/18513198844121063390 The Analysis and Interpretation of Beethoven's Sonata for Piano and Violin, Op. 30-3 貝多芬《給鋼琴與小提琴奏鳴曲,作品三十之三》 之樂曲分析與鋼琴合作藝術詮釋探討 Yang, Ya-Ting 楊雅婷 碩士 國立臺南藝術大學 鋼琴合作藝術研究所 104 Ludwing van Beethoven was a great German composer, and a crucial figure in the transition between the Classical and Romantic eras in the Western music. His ten sonatas for violin and piano are considered as important works in the violin repertoire. The author would like to analyze the context of Beethoven's Sonata for Violin and Piano Op.30-3 and investigate the art of collaboration between the pianist and violinist. First, the author briefly introduces Beethoven’s background and characteristics in his music. Second, the music form, motives and harmony of three movements of Op.30-3 sonata are analyzed .In the last chapter, the interpretation and Collaborative art between pianist and violinist are discussed. Through this study, the author hope to establish a better understanding of this worthy-learning sonata, and then offers some help to other musicians when approach such kind of work. Chang, Shih-Hsin 張詩欣 2016 學位論文 ; thesis 95 zh-TW |
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碩士 === 國立臺南藝術大學 === 鋼琴合作藝術研究所 === 104 === Ludwing van Beethoven was a great German composer, and a crucial figure in the transition between the Classical and Romantic eras in the Western music. His ten sonatas for violin and piano are considered as important works in the violin repertoire. The author would like to analyze the context of Beethoven's Sonata for Violin and Piano Op.30-3 and investigate the art of collaboration between the pianist and violinist.
First, the author briefly introduces Beethoven’s background and characteristics in his music. Second, the music form, motives and harmony of three movements of Op.30-3 sonata are analyzed .In the last chapter, the interpretation and Collaborative art between pianist and violinist are discussed. Through this study, the author hope to establish a better understanding of this worthy-learning sonata, and then offers some help to other musicians when approach such kind of work.
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author2 |
Chang, Shih-Hsin |
author_facet |
Chang, Shih-Hsin Yang, Ya-Ting 楊雅婷 |
author |
Yang, Ya-Ting 楊雅婷 |
spellingShingle |
Yang, Ya-Ting 楊雅婷 The Analysis and Interpretation of Beethoven's Sonata for Piano and Violin, Op. 30-3 |
author_sort |
Yang, Ya-Ting |
title |
The Analysis and Interpretation of Beethoven's Sonata for Piano and Violin, Op. 30-3 |
title_short |
The Analysis and Interpretation of Beethoven's Sonata for Piano and Violin, Op. 30-3 |
title_full |
The Analysis and Interpretation of Beethoven's Sonata for Piano and Violin, Op. 30-3 |
title_fullStr |
The Analysis and Interpretation of Beethoven's Sonata for Piano and Violin, Op. 30-3 |
title_full_unstemmed |
The Analysis and Interpretation of Beethoven's Sonata for Piano and Violin, Op. 30-3 |
title_sort |
analysis and interpretation of beethoven's sonata for piano and violin, op. 30-3 |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/18513198844121063390 |
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