Creative Motivation of Taiwanese Doujin Music Teams — A Case Study of “ VVV! Productions ” with VOCALOID Music

碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 104 === Simply speaking, Doujin(どうじん)means non-commercial amateur creative community. Among various kinds of Doujin in Taiwan, I’m interested in those who compose music by using VOCALOID, and in their creative motivation. VOCALOID is a singing voice synthesiz...

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Main Authors: ZENG, YUHANG, 曾宇航
Other Authors: Tsai, tsung-te
Format: Others
Language:zh-TW
Published: 2016
Online Access:http://ndltd.ncl.edu.tw/handle/jmp674
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spelling ndltd-TW-104TNCA57500132019-05-15T22:53:33Z http://ndltd.ncl.edu.tw/handle/jmp674 Creative Motivation of Taiwanese Doujin Music Teams — A Case Study of “ VVV! Productions ” with VOCALOID Music 台灣同人音樂團體之創作動力—以VOCALOID音樂創作團體「VVV! Productions」為例 ZENG, YUHANG 曾宇航 碩士 國立臺南藝術大學 民族音樂學研究所 104 Simply speaking, Doujin(どうじん)means non-commercial amateur creative community. Among various kinds of Doujin in Taiwan, I’m interested in those who compose music by using VOCALOID, and in their creative motivation. VOCALOID is a singing voice synthesizer software designed by YAMAHA Company, including different voice packets such as “Hatsune Miku” and “Megurine Luka”. Today, “Hatsune Miku” becomes the general appellation of this software thanks to this role’s popularity. In comparison with Japan, VOCALOID composition Doujin in Taiwan started relatively lately. On one hand, according to the composers, they think there are still obstacles to overcome to start composing. Japanese is the obligatory language to use the software. And the technology of software and instruments are not quickly to master. On the other, according to audience, they think there is more and more obviously commercial tendency in certain Doujin composition teams. Many works are made on purpose to well sell. Some composers pay more attention on visual elements than musical originality when they present their works. Finally, Doujin musical composition is always neglected by the whole Doujin community in Taiwan. This fact is reflected in Doujin market that market organizers offer only few resources and places to composition teams because they are always the least profitable booths. Confronted with the difficulties above, how do composition teams maintain their motivation to create? What kind of external conditions is involved and what role do the audience play in the process of the musical creation? In this paper, I will focus on the biggest and oldest Hatsune Miku Doujin music creation team - “VVV! Productions”. By observing their composition process, I try to comprehend how this team’s creation is influences by different aspects and what particular conditions motivate them to continue to create. Tsai, tsung-te 蔡宗德 2016 學位論文 ; thesis 153 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 104 === Simply speaking, Doujin(どうじん)means non-commercial amateur creative community. Among various kinds of Doujin in Taiwan, I’m interested in those who compose music by using VOCALOID, and in their creative motivation. VOCALOID is a singing voice synthesizer software designed by YAMAHA Company, including different voice packets such as “Hatsune Miku” and “Megurine Luka”. Today, “Hatsune Miku” becomes the general appellation of this software thanks to this role’s popularity. In comparison with Japan, VOCALOID composition Doujin in Taiwan started relatively lately. On one hand, according to the composers, they think there are still obstacles to overcome to start composing. Japanese is the obligatory language to use the software. And the technology of software and instruments are not quickly to master. On the other, according to audience, they think there is more and more obviously commercial tendency in certain Doujin composition teams. Many works are made on purpose to well sell. Some composers pay more attention on visual elements than musical originality when they present their works. Finally, Doujin musical composition is always neglected by the whole Doujin community in Taiwan. This fact is reflected in Doujin market that market organizers offer only few resources and places to composition teams because they are always the least profitable booths. Confronted with the difficulties above, how do composition teams maintain their motivation to create? What kind of external conditions is involved and what role do the audience play in the process of the musical creation? In this paper, I will focus on the biggest and oldest Hatsune Miku Doujin music creation team - “VVV! Productions”. By observing their composition process, I try to comprehend how this team’s creation is influences by different aspects and what particular conditions motivate them to continue to create.
author2 Tsai, tsung-te
author_facet Tsai, tsung-te
ZENG, YUHANG
曾宇航
author ZENG, YUHANG
曾宇航
spellingShingle ZENG, YUHANG
曾宇航
Creative Motivation of Taiwanese Doujin Music Teams — A Case Study of “ VVV! Productions ” with VOCALOID Music
author_sort ZENG, YUHANG
title Creative Motivation of Taiwanese Doujin Music Teams — A Case Study of “ VVV! Productions ” with VOCALOID Music
title_short Creative Motivation of Taiwanese Doujin Music Teams — A Case Study of “ VVV! Productions ” with VOCALOID Music
title_full Creative Motivation of Taiwanese Doujin Music Teams — A Case Study of “ VVV! Productions ” with VOCALOID Music
title_fullStr Creative Motivation of Taiwanese Doujin Music Teams — A Case Study of “ VVV! Productions ” with VOCALOID Music
title_full_unstemmed Creative Motivation of Taiwanese Doujin Music Teams — A Case Study of “ VVV! Productions ” with VOCALOID Music
title_sort creative motivation of taiwanese doujin music teams — a case study of “ vvv! productions ” with vocaloid music
publishDate 2016
url http://ndltd.ncl.edu.tw/handle/jmp674
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