Remove the center of the center
碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 104 === The world is growing at a rate we can not imagine being dismembered with, but a collection of all the daily viewing experience, are like Mother Earth through the eye by the hand of man, the greedy to absorb everything that can be experienced by the experience,...
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ndltd-TW-104TNCA55800082017-05-05T04:26:52Z http://ndltd.ncl.edu.tw/handle/71661318004757586777 Remove the center of the center 去中心的中心 Chen, Kai-Yuan 陳凱元 碩士 國立臺南藝術大學 造形藝術研究所 104 The world is growing at a rate we can not imagine being dismembered with, but a collection of all the daily viewing experience, are like Mother Earth through the eye by the hand of man, the greedy to absorb everything that can be experienced by the experience, you can be sure this is the last present and future is doomed, it is also the birth of the New World after the individual differences will eventually be constructed. World imaging movement, I would call it "the center", with this proposition discussion and investigation, gradually approaching and imagine its features and contour, and this paper contains an introduction and conclusion is divided into four chapters, in deconstruction, definitions, shaping the way to ask questions after the huge cultural background artistic imagination formed through the body. And in the context of the author's own creation, supplemented intent behind the creation of the origin parse text. Ku, Shih-Yung 顧世勇 2016 學位論文 ; thesis 57 zh-TW |
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碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 104 === The world is growing at a rate we can not imagine being dismembered with, but a collection of all the daily viewing experience, are like Mother Earth through the eye by the hand of man, the greedy to absorb everything that can be experienced by the experience, you can be sure this is the last present and future is doomed, it is also the birth of the New World after the individual differences will eventually be constructed.
World imaging movement, I would call it "the center", with this proposition discussion and investigation, gradually approaching and imagine its features and contour, and this paper contains an introduction and conclusion is divided into four chapters, in deconstruction, definitions, shaping the way to ask questions after the huge cultural background artistic imagination formed through the body. And in the context of the author's own creation, supplemented intent behind the creation of the origin parse text.
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Ku, Shih-Yung |
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Ku, Shih-Yung Chen, Kai-Yuan 陳凱元 |
author |
Chen, Kai-Yuan 陳凱元 |
spellingShingle |
Chen, Kai-Yuan 陳凱元 Remove the center of the center |
author_sort |
Chen, Kai-Yuan |
title |
Remove the center of the center |
title_short |
Remove the center of the center |
title_full |
Remove the center of the center |
title_fullStr |
Remove the center of the center |
title_full_unstemmed |
Remove the center of the center |
title_sort |
remove the center of the center |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/71661318004757586777 |
work_keys_str_mv |
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