An Analysis and Interpretation of Poulenc Trio for Piano, Oboe and Bassoon

• Main Authors: Chan, Hao-Yen, 詹皓巖
• Other Authors: Hsu, Chia-Hua
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/11016150599168791624

碩士 === 國立臺南藝術大學 === 音樂學系碩士班 === 104 === The research and analyses of this paper are based on Sonata for Piano, Oboe and Bassoon by Francis Poulenc. Poulenc applies his special technique to deal with his compositions. His has not received the traditional music training; as a result, there exist distinct fluency in his works. This trio is few of his chamber music that joins the bassoon, By discussing, analyzing and performing this trio, we can realize this composer’s music features. There are five chapters in this paper. Chapter one is an introduction to investigate the motivation and methods of this research. Chapter two describes Poulenc’s background and his musical style. Chapter three analyzes this trio, from the first movement to the third movement and researches the form, tonal, also the features of his creation method in this work. Chapter four discusses how do the performers truly interpret the musical terms and how do they perform this Trio for Piano, Oboe and Bassoon. The last chapter is a conclusion of all features mentioned above and my own impressions.