The Cultural and Creative Design Model Developed from Literary Viewpoint – In The Study of Sentiment Significance
碩士 === 國立臺北科技大學 === 工業設計系創新設計碩士班(碩士在職專班) === 104 === The purpose of this study was to establish the cultural and developing creative design model from literary. In literature review, we have sort out foam, feature, emotion as the process of establishing the meaning of the poems, and discussion Fu,...
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ndltd-TW-104TIT050380482019-10-07T03:38:49Z http://ndltd.ncl.edu.tw/handle/qcu6sd The Cultural and Creative Design Model Developed from Literary Viewpoint – In The Study of Sentiment Significance 從文學觀發展之文創設計模式-以相思意涵為例 Bing Han Lin 林秉翰 碩士 國立臺北科技大學 工業設計系創新設計碩士班(碩士在職專班) 104 The purpose of this study was to establish the cultural and developing creative design model from literary. In literature review, we have sort out foam, feature, emotion as the process of establishing the meaning of the poems, and discussion Fu, Bi, Xing on writing technique difference, followed by Tang Poems in 48 poems of sentiment significance as samples. Process is divided into three parts: First, content analysis was used to construct design model and methods; Secondly, grounded theory was used to code for samples to incorporate the design elements, and finally, to invite 8 master of Arts in Design to join the focus groups in design, and with different questionnaires operations. Concluding remarks: 1. The Foam, Feature and Emotion design model contain three steps. The Chinese literary design and transformation methods included design by the foam (Fu), design by the image (Bi), design by the foam, but it remain culture path(Xing). 2. Research has found 8 kinds and totally 48, and 81 feature of elements. 3. (1) In design elements, the mountain, and in ancient, the moon usually as object of emotional sustenance, and towering mountain as a symbol of solitude were used the most. It was found that designers prefer to use Fu to design, and in all of design concept, have used two different design methods were most, among of them, using Fu with Bi is most. (2) a. Design sample: (a) The sample which is in favor of Fu using Fu with Bi. (b) The sample which is in favor of Bi using Fu with Bi and Fu with Xing. (c) The sample which is in favor of Xing using Fu with Bi. (d) Research also has found some sample in favor of two kinds of design methods, they using Fu and Fu with Xing. b. Research has chosen some concept to design to product which are storage box, lighting and incense case. (3) It was found that designers show moderate identity in content, and show neutral most, and identity second most. Ming-Chin Yang Tien-Li Chen 楊明津 陳殿禮 2016 學位論文 ; thesis 0 zh-TW |
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碩士 === 國立臺北科技大學 === 工業設計系創新設計碩士班(碩士在職專班) === 104 === The purpose of this study was to establish the cultural and developing creative design model from literary. In literature review, we have sort out foam, feature, emotion as the process of establishing the meaning of the poems, and discussion Fu, Bi, Xing on writing technique difference, followed by Tang Poems in 48 poems of sentiment significance as samples. Process is divided into three parts: First, content analysis was used to construct design model and methods; Secondly, grounded theory was used to code for samples to incorporate the design elements, and finally, to invite 8 master of Arts in Design to join the focus groups in design, and with different questionnaires operations.
Concluding remarks: 1. The Foam, Feature and Emotion design model contain three steps. The Chinese literary design and transformation methods included design by the foam (Fu), design by the image (Bi), design by the foam, but it remain culture path(Xing). 2. Research has found 8 kinds and totally 48, and 81 feature of elements. 3. (1) In design elements, the mountain, and in ancient, the moon usually as object of emotional sustenance, and towering mountain as a symbol of solitude were used the most. It was found that designers prefer to use Fu to design, and in all of design concept, have used two different design methods were most, among of them, using Fu with Bi is most. (2) a. Design sample: (a) The sample which is in favor of Fu using Fu with Bi. (b) The sample which is in favor of Bi using Fu with Bi and Fu with Xing. (c) The sample which is in favor of Xing using Fu with Bi. (d) Research also has found some sample in favor of two kinds of design methods, they using Fu and Fu with Xing. b. Research has chosen some concept to design to product which are storage box, lighting and incense case. (3) It was found that designers show moderate identity in content, and show neutral most, and identity second most.
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author2 |
Ming-Chin Yang |
author_facet |
Ming-Chin Yang Bing Han Lin 林秉翰 |
author |
Bing Han Lin 林秉翰 |
spellingShingle |
Bing Han Lin 林秉翰 The Cultural and Creative Design Model Developed from Literary Viewpoint – In The Study of Sentiment Significance |
author_sort |
Bing Han Lin |
title |
The Cultural and Creative Design Model Developed from Literary Viewpoint – In The Study of Sentiment Significance |
title_short |
The Cultural and Creative Design Model Developed from Literary Viewpoint – In The Study of Sentiment Significance |
title_full |
The Cultural and Creative Design Model Developed from Literary Viewpoint – In The Study of Sentiment Significance |
title_fullStr |
The Cultural and Creative Design Model Developed from Literary Viewpoint – In The Study of Sentiment Significance |
title_full_unstemmed |
The Cultural and Creative Design Model Developed from Literary Viewpoint – In The Study of Sentiment Significance |
title_sort |
cultural and creative design model developed from literary viewpoint – in the study of sentiment significance |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/qcu6sd |
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