One in A Lifetime-The Conformation of Higashiyama Kaii’s (1908-1999) Landscape Painting
碩士 === 東海大學 === 美術學系 === 104 === This thesis will discourse upon the elements of Higashiyama Kaii’s landscape painting. Higashiyama Kaii was one of the representative artists of Nihonga and landscape painting in modern time after World War II. How did Higashiyama Kaii accomplish his works, his circu...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2016
|
Online Access: | http://ndltd.ncl.edu.tw/handle/95481330968278581960 |
id |
ndltd-TW-104THU00233029 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-104THU002330292016-10-14T04:10:17Z http://ndltd.ncl.edu.tw/handle/95481330968278581960 One in A Lifetime-The Conformation of Higashiyama Kaii’s (1908-1999) Landscape Painting 一期一會,東山魁夷風景畫的形成 KE,PEI-YING 柯沛瀅 碩士 東海大學 美術學系 104 This thesis will discourse upon the elements of Higashiyama Kaii’s landscape painting. Higashiyama Kaii was one of the representative artists of Nihonga and landscape painting in modern time after World War II. How did Higashiyama Kaii accomplish his works, his circumstances, inner transformation and pursuing, and how he contributed his inner view of life by landscape paintings are the main issues of this thesis. Chapter one includes background, motivation, purpose, and expected results of the research. Chapter two are introduction of Higashiyama Kaii, and the background characteristic of time. Chapter three are concepts in western culture, Japanese culture and Japanese style ink paintings which influenced Higashiyama Kaii’s work of art. Chapter four is the analysis of Higashiyama Kaii’s works in different periods of time for being aware his style of works. Chapter five summarizes the former parts, analyzing three possibilities that of how Higashiyama Kaii’s landscape painting formed. Those three possibilities were expressing the emotion between traveling and nostalgia buy landscape paintings, the cyan color in his works, and once in a lifetime with people, events and things. Chapter six concludes all the former parts. Higashiyama Kaii’s works shows two extremes, for example, traveling and nostalgia, sketching from nature and indoor, and using of colors. Higashiyama Kaii contributed his personal style by keeping balance in those extremes in his works. 吳超然 2016 學位論文 ; thesis 60 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 東海大學 === 美術學系 === 104 === This thesis will discourse upon the elements of Higashiyama Kaii’s landscape painting. Higashiyama Kaii was one of the representative artists of Nihonga and landscape painting in modern time after World War II. How did Higashiyama Kaii accomplish his works, his circumstances, inner transformation and pursuing, and how he contributed his inner view of life by landscape paintings are the main issues of this thesis. Chapter one includes background, motivation, purpose, and expected results of the research. Chapter two are introduction of Higashiyama Kaii, and the background characteristic of time. Chapter three are concepts in western culture, Japanese culture and Japanese style ink paintings which influenced Higashiyama Kaii’s work of art. Chapter four is the analysis of Higashiyama Kaii’s works in different periods of time for being aware his style of works. Chapter five summarizes the former parts, analyzing three possibilities that of how Higashiyama Kaii’s landscape painting formed. Those three possibilities were expressing the emotion between traveling and nostalgia buy landscape paintings, the cyan color in his works, and once in a lifetime with people, events and things. Chapter six concludes all the former parts. Higashiyama Kaii’s works shows two extremes, for example, traveling and nostalgia, sketching from nature and indoor, and using of colors. Higashiyama Kaii contributed his personal style by keeping balance in those extremes in his works.
|
author2 |
吳超然 |
author_facet |
吳超然 KE,PEI-YING 柯沛瀅 |
author |
KE,PEI-YING 柯沛瀅 |
spellingShingle |
KE,PEI-YING 柯沛瀅 One in A Lifetime-The Conformation of Higashiyama Kaii’s (1908-1999) Landscape Painting |
author_sort |
KE,PEI-YING |
title |
One in A Lifetime-The Conformation of Higashiyama Kaii’s (1908-1999) Landscape Painting |
title_short |
One in A Lifetime-The Conformation of Higashiyama Kaii’s (1908-1999) Landscape Painting |
title_full |
One in A Lifetime-The Conformation of Higashiyama Kaii’s (1908-1999) Landscape Painting |
title_fullStr |
One in A Lifetime-The Conformation of Higashiyama Kaii’s (1908-1999) Landscape Painting |
title_full_unstemmed |
One in A Lifetime-The Conformation of Higashiyama Kaii’s (1908-1999) Landscape Painting |
title_sort |
one in a lifetime-the conformation of higashiyama kaii’s (1908-1999) landscape painting |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/95481330968278581960 |
work_keys_str_mv |
AT kepeiying oneinalifetimetheconformationofhigashiyamakaiis19081999landscapepainting AT kēpèiyíng oneinalifetimetheconformationofhigashiyamakaiis19081999landscapepainting AT kepeiying yīqīyīhuìdōngshānkuíyífēngjǐnghuàdexíngchéng AT kēpèiyíng yīqīyīhuìdōngshānkuíyífēngjǐnghuàdexíngchéng |
_version_ |
1718386899311132672 |