| Summary: | 碩士 === 東海大學 === 美術學系 === 104 === Abstract
This paper focuses on discussion of the historical studies of the author, the relevant creation theories and historical painting schools. Based on these studies, the author extends or chooses the freedom of art that she wants to work on the most. The theme of the study, Remote Artistic Conception As Sky, is influenced by literati painting, painting school, and hazy body. These influences are integrated into the author’s works and used as the content of discussion in this research paper. The first chapter of this paper is introduction, which is divided into research motivation, purpose, content and methods.
Chapter two explores the features of oriental mountain-water paintings and Western landscape paintings, including the features of oriental mountain-water painting styles and British landscape features. How the painting features of the Eastern and Western artists have inspired the author is also discussed in this chapter.
Chapter three explores the concept and process behind the creation of Remote Artistic Conception as Sky: Nature and Self – appearances of mountain-water landscapes and sentiments of nature. This chapter explores the nature of one’s life and hazy atmosphere, solitude and heavy and earth, mountain-water reflection and perspective of creation, whiteness of the space’s vague layer, and interpretation of whiteness. Personal life experience is transformed into the structure of the painting and the natural connection that the author has with the special harmony in the vastness and vagueness of nature, portraying a direct, divine dialogue. The procedure and process of creation involves three stages: 1. Thinking 2. Drafting 3. Creating. The author integrates the essence of Chinese and Western paintings into her paintings. Combining recent years of relevant aesthetics qualities and learning experiences in painting, the author hopes that a new prospect will be developed in the future through her learning experience.
Chapter four analyzes Liu,Hsueh-Er’s works. Specifically, the use of mediums, forms of printing, techniques of expression, and how these elements contribute to the creation of her painting style and characteristics are discussed. The last part discusses the author’s perspective of creation on gouache works. The author hopes she can dedicate herself in the field of gouache painting in the future.
Chapter five Conclusion
Keywords: Remote Artistic Conception As Sky, Nature, Mountain-water Painting, Envelopment of Light, Hazy.
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