An analysis and interpretation of HueiLanYinShih and MaLanGuNiang

• Main Authors: WANG,HSIANG-YU, 王湘瑜
• Other Authors: CHEN,JYUN-SIAN
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/bkbdkb

碩士 === 中國文化大學 === 中國音樂學系 === 104 === “HueiLan Yin Shih” and “Ma LanGuNiang”- those songs are from Formosa that based on the materials of aboriginal music, including “Huan Le ge”, “Mei Li De DauSuei”, “Ma LanGuNiang”from Ami and “Mei Li De DauSuei” from Bei Nan. Those songs have full of ethnic music, “HueiLan Yin Shih” is Bamboo flute concerto by Shin-Tsai, Huang. “HueiLan Yin Shih” is based on four different tone of Bamboo flute, including C, D, A, G tone to present the concerto of dramatic tension. “HueiLan Yin Shih” shows Aboriginal culture that the annual festival is importance for aboriginal, also depicts the most of simple restrained and demonstrates the vitality of the music of love. Another one - “Ma LanGuNiang” which is the concerto present by the xiao by Zhong-Shen, Chen in 2009. The author went to discuss about the Bamboo flute/ xiao to translate that two solo for imagery presentation, including ethnic culture, background, composer techniques, music content, music analysis and interpretation and so on, and also interview with composer who written the concerto