| Summary: | 碩士 === 中國文化大學 === 美術學系 === 104 === When the animation feature is transferred to the art of painting, in the end what will produce it in the end? For this research, the author especially takes sequence and esthetics of postmodern painting creation influenced by Japanese animation as the writing spindle of this paper, and then after carefully analyzing the correlation between sequence and esthetics, proves the rationality of self-painting. Here, I borrow the term, Animamix raised by Jung-Chih (1951-) in the "Fiction Love" exhibition planned in 2004 Museum of Contemporary Art, Taipei, and according to “Simulacres Theory” 動物化するポスモダン─オタクから見だ日本社会written by Japanese Azuma Hiroki (1971-), by means of the word “Simulacres”, to refer those concise art style affected by Japanese anime, and as a core vocabulary of this study.
In this study, in addition to working in inducing the sequence of Animamix painting, and analysis for the “Animamix” and “cute factor”, also is a study made to the Computer Graphic, a painting form. I found that in recent years, Computer Graphic in the works displayed in the Art Fair has not yet become common medium in arts market; obviously there are a large number of digital devices and photographic or digital prints, but Computer Graphic widely used in applications art creation does not shine in the field of contemporary art of painting. This indeed makes me deeply puzzled. The painting nature of Computer Graphic is same as traditional painting; their difference is only in different mediums used. Therefore, I would use my own painting to discuss the creative practice and picturesque nature of Computer Graphic.
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