| Summary: | 碩士 === 國立臺灣藝術大學 === 雕塑學系 === 104 === If we believe the relationship of the 'file' to the truth, this is the same as that of the soul to the living being. Through memories or recollections, the truth is imagined； thus, “meta-file” could become a creative path for another “meta-search” for the track of truth. This paper consists of a research institute stage dual creative plan with another artist Kou Po-Yu. It takes the identity transformation of the archival style creative process touched upon in “Certified Copy” (OCAC), “Not Open to the Public”, and “Certified Copy” ( Nanhai Gallery), and applies it to the imagination and exploration of 'real space,' 'memory space,' and 'artistic space'. Jointly created paper yet collated individually, this paper re-examines the process of archiving practices to serve as a rewriting and re-archiving of this three file exhibition event. On the one hand, archiving practice constantly surrounds the two peoples' original creative motivation ─ checking and summarizing, and attempts to reconnoiter the new space / environment they will face. But at the same time, there is a see-saw relation between identity and relationship due to the movements and transformations of different environments and states, giving rise to many pending issues, and pointing the way to possible future cooperation.
|
|---|
