A Cross-Cultural Study of Contemporary Chinese Music──taking‘Divination Tune’in“Eastern Legends‧Intercultural & Pop Music Production”as an Example

• Main Authors: Xia, Yu Chun, 夏鈺淳
• Other Authors: Li, Chyi-Chang
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/hem769

碩士 === 國立臺灣藝術大學 === 戲劇學系表演藝術碩士班 === 104 === Looking back to the end of the nineteenth century, the whole culture structure, culture, thought, value, believes and cognitive system of China are influenced by the western imperialism, molding the miniature of modern traditional Chinese music. When the society entered to the era of highly developed industry and science technology, Taiwan industry moved from tradition to diversity and also expand global vision. In other words, modern traditional Chinese music inherited from the Chinese culture in many aspects of Taiwan politics, economics, culture, etc. Following by the impact, transformation and blending of the history, it presents the Taiwanese multicultural features. This thesis studies the ‘Divination Tune’ in “Eastern Legends‧Intercultural & Pop Music Production ”, starting from the diachronic view. Discussing the traditional Chinese music and ‘Divination Tune’ --Taiwanese fold music’s diversity of the evolvement through the time makes us withdraw from the theory and concept of the traditional music. In the synchronic notion, trying to think about the modern, diverse and global features of ‘Divination Tune’ in “Eastern Legends‧Intercultural & Pop Music Production ” from intercultural esthetic position. Therefore, by utilizing content analysis and music data analysis, the author studied the chronic transition of the traditional Chinese music and “Divination Tune” and took the development path of the rock music as the background to further understand the feature of the musical elements, evolution, structure and esthetics by the trace of the musical culture. Through the musical structure and deconstruction the formation of ‘Divination Tune’, Taiwanese fold music is analyzed for the evolution of reconstruction and transition with rock music elements and the features and faces after molding. In conclusion, from the position of the intercultural esthetics, further discussion for the localization and globalization features of the music not only analyze the composition of the tradition music, but also assist the author to research with a broader view for the topics of multicultural features and cultural identity which the intercultural music presents.