An Analysis and Interpretation of Claude Debussy’s Sonata for Piano and Violin in G minor, L.140

• Main Authors: LU,FANG, 呂昉
• Other Authors: PENG,GWANG-LIN
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/94722887382374366137

碩士 === 國立臺灣藝術大學 === 音樂學系 === 104 === Debussy (Claude Debussy, 1862-1918) only wrote three sonatas in his entire life, one of the sonatas was written for the violin and piano " Violin Sonata in G minor L140", originally written for six different sonatas settings, the first two works were sonatas written for cello op.135(1915) and sonata for flute, viola and harp op.137(1915), the " violin sonata in G minor " op.140(1917) was written a year before his death. The study of this thesis mainly on the analyses of the structure of movements and paragraph characteristics, based on Debussy's compositional techniques and style. The Preface describes the research motivation, allowing readers to understand the differences between Debussy's sonatas and the Viennese classical sonatas. The First Chapter is the analyses of structure and style which features Debussy's "Violin Sonata in G minor L140".The Second Chapter is the application of bowings and fingering in performance interpretation, which based on the First Chapter's analyses. The Third Chapter is a conclusion of the studies in the sections above.