| Summary: | 碩士 === 國立臺灣師範大學 === 設計學系 === 104 === "Most likely unhappy things in life." People living without beginning or end of the "universe" in the "Yu" in time and space boundless, it is smaller and shorter lived, it is desirable from the instinct of survival to everything everything is smooth and successful. We hope to shape modern design vocabulary, through the " Ruyi " metaphor to symbolize Chinese culture, into the seat of creative design, deliver long cultural connotation, and customized concepts to meet individual preferences, so that people can feel cultural spirit from the use of sense to extend of the infection.
Seats and interior design from the outside, from the tangible and pleasing appearance to meet, the aesthetic appearance of hierarchy, made out to use, invisible to the practical level, the use of functions to meet and behavior, through word of mouth, and then sublimation to ideas, psychological excellent meet on the level of philosophical thinking, almost unshakable realm.
Through gesture human activities in space, walking, standing, bending, sit back, lie down ... and demand situation Consideration seat creative, to design the shape and structure of the relationship between chair legs, seat, back and armrests.
The practical application of the method of intercepting and analyzing Ruyi decoration modeling application, and to repeatedly emphasize, taking into account balance, harmony, proportion, rhythm, giving the combined rotation copy, mirror copy, stretched vertically, three-dimensional variation of half the Ruyi ornamentation complete capture, or to take advantage of a number of Ruyi head, planarization, or copy, link the new ornamentation, or the inclusion of other items designed together, form the basis of the seat as the basis for his creation of the fusion of contemporary and modern aesthetics innovative application techniques and materials, to find out the traditional cultural significance of a new era of wishful and presentation.
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