| Summary: | 博士 === 國立臺灣師範大學 === 美術學系 === 104 === This creation research starts from observing social phenomena, discussing how people live under social power.
In chapter two, I present the power-changing relationship between reality and unreality by the three parts “instant reality”, “virtual right”, “reincarnated paradox” and the created images are related to a certain cultural background. In chapter three, I present the oppressing/oppressed reality and real/unreal world with compressed dark consciousness. That is to say, I convey the anxiety of the young generation by the future bubble and the intertwining reality/unreality in “real/unreal gray world”. Last, I show the dark consciousness and its changes cohering by the phenomena with the discography in the part of “consciousness changing in grey theater”.
In chapter four, the focus is the generational conflict. I re-interpret this issue with multi simulations of peacocks. The imagined image between the creator and the peacocks changes the power consciousness of image, and re-builds “reality”. As for the pattern, the cycle of “factual image”, substitutes the “reincarnated” gap of the image and power consciousness. For methodology, paste and multi-use of metals make the unstable coloration by light variation. While transforming the images and covering with layers of materials, I build a space between reality and unreality, immersing in the fairy land of mystery.
This research mainly deals with the creation of peacock image, discussing the relationship of social power and personal existence, concerning the hierarchy of social power, aiming at the paradox of creator, facing the debate of generation gap. I try to locate a possible way to live with from the ambiguous living condition of myself.
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