Exploring the Actual Situation and Illusion of Selfie Research of Paintings by Y. C. Lien

• Main Authors: Lien Ya-Chi, 連雅綺
• Other Authors: 黃進龍
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/8k4bgu

碩士 === 國立臺灣師範大學 === 美術學系 === 104 === Since the beginning of civilization, human constantly keep recording images. After the invention of the smart phone, a readily available filming device, the teenager can takes pictures easily. From the angle of a viewer, we explored the meaning of messages sent from the teenager’s selfie images. And the meaning behind the mess media which is the resources of image creation. Chapter 1, Introduction, explain the motivation of research and set the range of research. Chapter 2, The study of teenager’s selfie, started from the history and the meaning of selfie, the ways to prettify, show out a fashion portion of the teenage subculture. Teenager searchs and practices the personal growth by self-discovering in selfie. We explore the selfie psychology by Lacan’s psychoanalysis, also the concept of virtuality and illusion of post-modernism. Chapter 3, Ideas and analysis of art works, reveal the links between the selfie and self-portrait painting by self-gaze of self-portrait painting. From the art works of Cindy Sherman and Morimura Yasumasa, Contemporary Artists, we study the role-play under the scene and show how to influence mess viewers from different viewing angle. Chapter 4, The contents, patterns, mediums, and processes of works, introduce the ways and procedures of works. Chapter 5, The illustration of works, keep documentaries of working process and mentation, completely demonstrate the symbolical meaning of works. Chapter 6, Summary, hope viewers can calmly reconsider whether it is true or false, or just an illusion as mess media using a forced type, a selected subject, a scene which might mislead the public judgment.