| Summary: | 博士 === 國立臺灣師範大學 === 國文學系 === 104 === This dissertation discusses the intertextuality between Li Bai's poems and Southern Dynasties poetry (folk-poetry and palace-style poetry) via the western intertextuality theory and misreading theory and from the viewpoint of comparative literature in order to explore the impacts of Southern Dynasties poetry on Li Bai's poems and further establish the new senses of Li Bai's poems. It probes into the systematic nourishment and inspiration of Southern Dynasties poetry to Li Bai, the unmatched superstar in Chinese poetry whose poems towered over all the other poetry in all ages and became an everlasting model for the world. The dissertation consists of seven chapters such as Introduction, Conclusion and others, respectively discussing Li Bai's Poems and Qing Shang Qu Ci, Xianghe Lyrics, New Songs from the Jade Terrace in Southern Dynasties as well as the various dimensions of the elegant poetry of Li Bai after undergoing the experience of Southern Dynasties poetry and the impact of which on Li Bai's life achievements. In the end, this dissertation summarizes a total of eight implications of Li Bai' elegant poetry.
(1) The elegance of Li Bai' poems comes from his absorption of the images of geography, customs, climate and plants in Southern Dynasties poetry, which is thus closely associated with Southern Dynasties poetry.
(2) Li Bai's elegant poetry is embedded in his "poems of women" and "poems expressing aspirations". In addition, he developed new means of artistic expression via "fragrant flower and beautiful woman images", contributing to a new poetry model that is different from the "fragrant flower and beautiful woman images" established since Cao Zhi.
(3) The creation and construction of women images in the new poetry form of "fragrant flower and beautiful woman images" by Li Bai includes the beautiful and gorgeous elements of Southern Dynasties with both rejections and innovations which differentiates it from the old traditions.
(4) The women images in poetry are also associated with the daughter of concubine and intelligent and beautiful woman and even the will of poets in Chinese Han and Wei Dynasty, which is embedded in Li Bai' poems. In particular, women images of "Li Bai-style" are developed with the combination of the aforementioned women images in Han and Wei Dynasties and the concubine and fancy women images in Southern Dynasties.
(5) Li Bai's Elegant poetry is composed of the aforementioned beauty images bearing "man's aspirations in women images" and an circuitous rather than straightforward expression of will.
(6) The "women images" in Li Bai's poems are all dressed smartly and represented a metaphor of men having both talent and virtue.
(7) The beauty images in Li Bai's poems respectively demonstrate the romance, aspiration, statesmanship and national consciousness of Li Bai as well as his strenuous faith in official career, both of which an expression of his grand and imposing will.
(8) The exploration of the elegant poetry of Li Bai in this dissertation focuses on the new senses of his poems via the intertextual comparison with the palace-style poetry Qing Shang Qu Ci, Xianghe Lyrics, New Songs from the Jade Terrace in Southern Dynasties, which represents only one of the many implications of his elegant poetry.
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