| Summary: | 碩士 === 國立臺南大學 === 音樂學系碩士班 === 104 === This thesis is illustrated into three parts
I、The history of change and development of Mass and Requiem and the introduction on Dvořák’s life. By the introduction on Dvořák’s life and the creativity and performance of his works, Dvořák’s musical characteristic of every period and the progress of creating Requiem.
II、The musical performance of Dvořák's 《Requiem》
The whole work is devided into five parts, "Aria on Marching Into Chapel and the Sabbath Scripture ","Sequentia","Worshiping Tune","Cheering Tune" and "Eulogy on Lamb and Lord Tune". This study investigated the connection of lyrics and music, studied the format and structureof each sonf of Dvořák and performing techniques of the tonality, harmony, speed, dynamics, tune, interval, rhythm, motive and timbre he utilized in detail, and understood the mastery of Dvořák's 《Requiem》, in order to form the origin and reference of musical theory and appreciation and analysis.
III、 The vocal interpretation of Dvořák's 《Requiem》
Based on the lyrics, forms, the style and the melody line progressing and the whole musical performance on its dynamic sound , here I raise my personal viewpoint on vocal interpretation . Being an interpreter of performing and provide as reference for the resercher of teaching.
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