| Summary: | 碩士 === 國立臺南大學 === 國語文學系碩士班 === 104 === The book of mounting is the first book that explored the history of Chinese painting and calligraphy mounting for nearly one thousand years. It discussed the phenomenon that painting collectors and mounters generally lack correct concept of mounting in Wuzhong area in the late period of Ming dynasty, which resulted in the damage and destroy of painting and calligraphy. And it discussed the correction to the phenomenon. The content of the book focused on mounting formats including hanging scrolls, handscrolls, and album leaves. It explained the main point of ethics of mounting, methods and procedures of restoring painting and calligraphy, and exhibition of painting and calligraphy. The study aims to investigate the goal orientation of The book of mounting through analyzing relevant references, and derive in the Inheritance and innovation of practice of modern mounting and restoration of painting and calligraphy. Therefore, this study focused on the background of The book of mounting, the writing features, the development of mounting formats, and the practices of modern mounting and restoration of painting and calligraphy. This thesis is divided into five chapters. The first chapter, introduction, is the explanation of motivation and limits of the study. The study adopted the method of documentary analysis. In the second chapter, summary of The book of mounting, we examined the author and background of the The book of mounting, the edit situation, the content, and the development of mounting formats. In the third chapter, The book of mounting and modern mounting, based on the content of The book of mounting, we explored the causes and approach of Qi-Wa (up curl on the sides of paper) that often appears in modern mounting, the tools and materials of mounting, and the hanging scrolls of modern mounting. In the fourth chapter, The book of mounting and restoring painting and calligraphy of National Palace Museum, we analyzed the process of repairing painting and calligraphy in The book of mounting. And we investigated the inheritance and innovation of modern restoration of painting and calligraphy based on the restoration of painting and calligraphy of National Palace Museum. The fifth chapter is the conclusion, summarized the research experience and relevant proposal of it.
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