| Summary: | 博士 === 國立高雄師範大學 === 國文研究所 === 104 === The revolting depiction in "Li-poetry society", the nature of which is the anti-colonial oppression, is opposed to one-party dictatorship of the Kuomintang regime during the Martial Law Period,. With the congressional reform and presidential direct elections after the post-Martial Law period, Taiwan's democracy is being gradually implemented. While the rise of China suppressing Taiwan is increasing, that actually makes Taiwan face more challenges. For the pursuit of Taiwan independence, the anti-hegemonic oppression in China is considered to be of the utmost importance in order to practice the vision of maritime countries and continuation of anti-colonial writing.
As far as "Li" is concerned, whether it is anti-colonial oppression or against the suppression of the Chinese hegemony, revolting depiction is only a means to highlight the process of raising Taiwanese consciousness. The "Li" poets recognized the sorrow of being colonized and used the poetry literature in attempt to reform the society during the Martial Law Period and to achieve the ideal of social justice. After the post-Martial Law period, the "Li" poets hoped that through anti-Chinese hegemony, they could increase the awareness of the Taiwan people to achieve a new vision of maritime countries. Therefore, the means and methods of revolting depiction are aimed at the balance after rebellion and the poet's self-salvation. "Li", on the one hand, attempted to pass on the rebellious spirit from previous generations, and on the other hand to correlate to Taiwan's reality. Thus, the revolting depiction of Li-poetry is more widespread and profound than their predecessors during the period of Japanese occupation. The subjects of poems are written from individual body composition, extended to the real concern to Taiwan. The "Li" shows so diverse concepts of poetry that "Li" has established an immortal status in the Taiwanese poetry.
This thesis titled "The study of the revolting depiction in indigenous modern poetry of Taiwan: The "Li" poet society as the center" stresses the meanings of "Li" revolting depction in Taiwanese poetry history and the contribution to native spirit. Focusing on its construction and poetic reflection and exploring why to resist, how to resist, and the meanings in the history of Taiwanese literature, this thesis attempts to clarify:
First, how "Li" started off from local poetry strengthens realism and criticism against tradition. Through the practice of poetics, the "Li" implements local concern and enhances the local consciousness by means of a dual-track strategy of caricature and criticism to show the anti-poetics.
Second, the theme of creating realistic poetry, "Li" has been consisting with realistic care, which is of particular significance in Taiwanese comtemporary society despite of the phenomenon of superposition before and after the Martial Law period
Third, the reality and the localization of "Li"poetry reconciled with the artistry highlights the characteristics and value of the "Li" poets' works. However, "Li" poetry faced challenges on generation gaps and and Net generation and how to deepen the concepts of poems.
Fourth, facing the tide of globalization, the challenges of the new era, and the rise of China, the diverse and inclusive concepts of the "Li" poetry on how to reposition and examine Taiwan subjectivity and putting Taiwan first will inevitably affect the development of the revolting depiction and poetry.
keywords ：＜Li＞poet society、native spirit、nativist literature、realism、revolting poetry
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