| Summary: | 博士 === 國立高雄師範大學 === 地理學系 === 104 === Cultural landscape is created in the process of interaction between human and environment. The traditional rural settlements absorb the production and life style of the villagers, stimulating the local unique natural ecological communities and style. This study mainly makes a discussion on the man-land relationship network shaped by residence, waters and ritual music landscape in Meinong Hakka rural society through careful reading of the text and thick description of the landscape, and how does this network interpret the meaning of landscape based on one or multiple cultural subjects, through the physic participation, life practice and accumulation of emotional memory.
The research result shows that in order to condense religious consciousness of the Huo Fang house, Meinong residents attempt to construct the symbolic meanings belonging to the local place by etching system, rituals and norms onto the surface of the building with text and images. Although the local community has put forward to build Meinong house in local place, it always remains in the continuation of form and the formulation of guidelines. However, the continuation of form is of course important, but if there are no local people to participate in the ceremony, the space is equivalent to a shell without a soul and failure to develop other residential landscape with linking meaning.
Second, the unique geographical environment and farming culture in Meinong shape a special water landscape. In regard of body movements and thinking reflection to fetch, use, seek, and find water for water, those naming of body image arouse the memory, code of conduct, morality and customs and so on stored in body of the local people in the practice of daily life, through the sound image of the words. To explore and record the relevant local knowledge produced by farmers’ cultivation behavior becomes an important way to construct the water landscape in the inner world of the subject.
Third, the three consecrations and Hakka Ba Yin that are indispensable in Meinong people's life met the challenge of modernization in their continuation and inheritance, indirectly causing conflict, adjustment and transformation among local people taking part in the ceremony. The ritual music landscape corresponding to Meinong Hakka traditional marriage, funerals, festivals and other customs of their life must try to return to the subject of each landscape. The linking of the continuation of daily ritual behaviors and their significance makes it possible to regain the ecological appearance of the landscape of folk music.
Finally, this study thinks that thick description of geographical experience must be based on the researchers’ imagination for the text, in order to make response to related geographical experience in different perspectives through the reallocation of time, space and the material. Researchers regard landscape writing as a way to understand and interpret a place. Through the observation of interactive network of Meinong people and landscape, the orientation of writing can be viewed in the cultural landscape. In the process of the fusion of subject and object horizons, the local characteristics of Meinong cultural landscape is shaped by the interpretation of literary meaning.
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