Linear Expression through Complexity and Simplicity －The Discourse of Chiang Hsin-Tzu’s Paintings

• Main Authors: Chiang Hsin-Tzu, 江馨慈
• Other Authors: 黃銘祝
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/9xe46d

碩士 === 國立新竹教育大學 === 藝術教育與創作碩士班 === 104 === Abstract This thesis discusses my creative works of ink using two lines to weave after 2011 year. I focus space, time, body and immanence each relationship. It makes my creative works to be a record of life. I focus space, time, body and immanence and its mutual relationship since my bullying experience when I was a teenager. It makes me more sensitive, anxious, self-doubt and fixed than other people with same age. All feelings contribute to my creative power that help me to explore the world and myself. I read the message in macro and microcosmic in my repeated action of depictive lines. Accumulative lines show the time process, space concept and feminine thinking. There are 5 chapters in this master's thesis. First chapter "Introduction" describes the motivation of my creative works, its purpose, its method and summary. Second chapter "theoretical basis" probes space with my feminine thinking, considering repeated process of behavior and real meanings of circular lines. Third chapter "creative form, method and contents" discusses lines that probe accumulation of brushwork and form weaving. At the same time I analyze application of space concept. Fourth chapter "analysis of my creative works" shows my series work of each stage. It expounds my work from self- frame to self-challenge. The series of "I and you and it" is fantasy of ecology. Series of "scenery and road" are viewed from circular lines. And series of "Inside．Outside" involves the weaving of space and the space of weaving. Fifth chapter "Conclusion" is a list of my findings ,creative concept and art value in this thesis, and describes my creative direction of the future.