穢土轉生-蔡譯緯繪畫創作論述

碩士 === 國立嘉義大學 === 視覺藝術學系研究所 === 104 === Abstract Impure World Reincarnation-Yi-Wei Tsai’s Painting Creation Discourse The subject of this painting creation discourse is the “impure world reincarnation” focusing on the exploration of the inner emotions and the mental state. It is the recording of tra...

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Bibliographic Details
Main Author: 蔡譯緯
Other Authors: 周沛榕
Format: Others
Language:zh-TW
Online Access:http://ndltd.ncl.edu.tw/handle/cmqmxs
Description
Summary:碩士 === 國立嘉義大學 === 視覺藝術學系研究所 === 104 === Abstract Impure World Reincarnation-Yi-Wei Tsai’s Painting Creation Discourse The subject of this painting creation discourse is the “impure world reincarnation” focusing on the exploration of the inner emotions and the mental state. It is the recording of transformation and life path of the personal experiences. Through the relevant academic research with the critical thinking and feedback of the artistic creation process, the own state of mind was able to be expressed; the clarification of the context as well as the shaping of the personal creative aesthetic are the stages of reflection and the prototype of the future development. The purpose of this creative research are: (1) to build the theoretical basis for the series of personal creation through the exploration of the relevant aesthetic philosophies andculture critical theories; (2) to explore the impact of the artists and art schools towards the creation as to develop the lexicon of the personal artistic manifestation; (3) to carry out the creation and analysis of the works of “Impure World Reincarnation”; (4) to achieve spiritual growth via the practice, discussion and reflection of this creative research as well as the basis of future creative development. The research methods are: (1) theoretical analysis and (2) action research. The structure of the essay is divided into five chapters: Chapter One explains the motive, purpose scope of research, limitations, research methods and the structure of the essay. Chapter Two consists of the theoretical basis, from Lacan’s “Mirror Stage”, the theory of the “Three Orders” to Bhabha’s “Mimicry”, as to explore the personal inner emotions and mental states; Sherman’s photography of parodic make-up and Close’s photo realism are followed as to summarize the work context. Chapter Three describes forms of creative ideas and manifestations. Chapter Four is the interpretation of the works of “Face Transplant” and “Impure World Reincarnation Technique”. Chapter Five consists of the reflection and conclusion of the creative research procedure. Through the integration of the theories and the creative practices, a personal artistic and creative lexicon was established which would be the future direction of work exploration. Keywords: Impure World Reincarnation, Face Transplant, Parody, Mimicry, Reproduction, Photo Realism, Painting.