A Comparative Study of Wang Jide and Li Yu's Works on Operas

博士 === 國立中央大學 === 中國文學系 === 104 === A Comparative Study of Wang Jide and Li Yu's Works on Operas Abstract Late Ming Dynasty and early Qing Dynasty is the flourishing period of classical Chinese opera creation and theory development. Wang Jide’s Melody and the On Poems and Verses and On Perfor...

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Main Authors: Hsueh-Ning Chung, 鐘雪寧
Other Authors: 曾永義
Format: Others
Language:zh-TW
Published: 2016
Online Access:http://ndltd.ncl.edu.tw/handle/53556149541643046108
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spelling ndltd-TW-104NCU050450542017-06-03T04:42:00Z http://ndltd.ncl.edu.tw/handle/53556149541643046108 A Comparative Study of Wang Jide and Li Yu's Works on Operas 王驥德與李漁戲曲論著之比較初探 Hsueh-Ning Chung 鐘雪寧 博士 國立中央大學 中國文學系 104 A Comparative Study of Wang Jide and Li Yu's Works on Operas Abstract Late Ming Dynasty and early Qing Dynasty is the flourishing period of classical Chinese opera creation and theory development. Wang Jide’s Melody and the On Poems and Verses and On Performance in Li Yu’s Occasional Notes with Leisure Motions are two comprehensive and systemic works on opera produced in this period. They were the masterpieces of opera theory of the Ming and Qing Dynasties. Therefore, it is of great academic significance to compare their theoretical framework and connotation. First, it helps to clarify the relationship between the development of the two theories; second, it provides detailed analysis and comparison which previous macroscopic elaboration failed to provide; third, it unravels the close relationship between the similarities and differences of the two theories and the evolution process of opera art; fourth, it urges people to rethink their value and status in opera theory, and to develop new perspectives for the research of opera criticism history. This paper first reviews existing research on opera theory prior to Wang and Li, then compares, under the principle of "seeking differences in similarities and similarities in differences", the common concerns of the two works: structure, system, regulation of word mining, temperament, spoken parts, buffoonery, etc., and focus. Because of the comparative research perspective, they are each other's frame of reference, and the "taken for granted" impression that "Wang Jide is the pioneer, and Li Yu is the master" can be avoided. To probe the similarities and differences between the two opera theorists from their works helps to reveal that they involve multiple angles and meaning, and not just a simple relationship of "inheritance". Finally, it explores the reasons for the results of comparison, clarifies the relationship between their opinions, and turns to the history of the theoretical development to understand more deeply and accurately their creation and the theory system they constructed together. Key words: Wang Jide, Li Yu, 《Melody》, 《Occasional Notes with Leisure Motions》, opera theory. 曾永義 孫玫 2016 學位論文 ; thesis 232 zh-TW
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description 博士 === 國立中央大學 === 中國文學系 === 104 === A Comparative Study of Wang Jide and Li Yu's Works on Operas Abstract Late Ming Dynasty and early Qing Dynasty is the flourishing period of classical Chinese opera creation and theory development. Wang Jide’s Melody and the On Poems and Verses and On Performance in Li Yu’s Occasional Notes with Leisure Motions are two comprehensive and systemic works on opera produced in this period. They were the masterpieces of opera theory of the Ming and Qing Dynasties. Therefore, it is of great academic significance to compare their theoretical framework and connotation. First, it helps to clarify the relationship between the development of the two theories; second, it provides detailed analysis and comparison which previous macroscopic elaboration failed to provide; third, it unravels the close relationship between the similarities and differences of the two theories and the evolution process of opera art; fourth, it urges people to rethink their value and status in opera theory, and to develop new perspectives for the research of opera criticism history. This paper first reviews existing research on opera theory prior to Wang and Li, then compares, under the principle of "seeking differences in similarities and similarities in differences", the common concerns of the two works: structure, system, regulation of word mining, temperament, spoken parts, buffoonery, etc., and focus. Because of the comparative research perspective, they are each other's frame of reference, and the "taken for granted" impression that "Wang Jide is the pioneer, and Li Yu is the master" can be avoided. To probe the similarities and differences between the two opera theorists from their works helps to reveal that they involve multiple angles and meaning, and not just a simple relationship of "inheritance". Finally, it explores the reasons for the results of comparison, clarifies the relationship between their opinions, and turns to the history of the theoretical development to understand more deeply and accurately their creation and the theory system they constructed together. Key words: Wang Jide, Li Yu, 《Melody》, 《Occasional Notes with Leisure Motions》, opera theory.
author2 曾永義
author_facet 曾永義
Hsueh-Ning Chung
鐘雪寧
author Hsueh-Ning Chung
鐘雪寧
spellingShingle Hsueh-Ning Chung
鐘雪寧
A Comparative Study of Wang Jide and Li Yu's Works on Operas
author_sort Hsueh-Ning Chung
title A Comparative Study of Wang Jide and Li Yu's Works on Operas
title_short A Comparative Study of Wang Jide and Li Yu's Works on Operas
title_full A Comparative Study of Wang Jide and Li Yu's Works on Operas
title_fullStr A Comparative Study of Wang Jide and Li Yu's Works on Operas
title_full_unstemmed A Comparative Study of Wang Jide and Li Yu's Works on Operas
title_sort comparative study of wang jide and li yu's works on operas
publishDate 2016
url http://ndltd.ncl.edu.tw/handle/53556149541643046108
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