YU-JUNG CHEN MULTIMEDIA COMPOSITION RECITAL WITH A SUPPORTING PAPER “DIE VERWANDLUNG” : AN ORIGINAL COMPOSITION WITH COMMENTARY
碩士 === 國立交通大學 === 音樂研究所 === 104 === 《Die Verwandlung》 is a multimedia musical composition that combines vocal, instrumental (french horn, violin, violoncello, piano), real-time electronic sounds, real-time images, choreography and light. The piece draws inspiration primarily from Franz Kafka’s Germa...
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ndltd-TW-104NCTU52480282019-05-15T23:08:42Z http://ndltd.ncl.edu.tw/handle/56uk6t YU-JUNG CHEN MULTIMEDIA COMPOSITION RECITAL WITH A SUPPORTING PAPER “DIE VERWANDLUNG” : AN ORIGINAL COMPOSITION WITH COMMENTARY 陳昱榮多媒體音樂作品發表會含輔助文件《蛻變》:原創作品與註釋 Chen, Yu-Jung 陳昱榮 碩士 國立交通大學 音樂研究所 104 《Die Verwandlung》 is a multimedia musical composition that combines vocal, instrumental (french horn, violin, violoncello, piano), real-time electronic sounds, real-time images, choreography and light. The piece draws inspiration primarily from Franz Kafka’s German novel 《Metamorphosis》, explores and experiments with the probability of syntactical conversion between music and text. It also analyzes the relation between semiotical and phonological dimension. The piece is divided into three movements: Metamorphosis, Gefangen, and Verderblichkeit . The special shifts in the timbres through the different methods of playing instruments create the complex atmosphere of warping truth and fiction as in the novel. Moreover, through the unique combination of voice and instruments, the piece portrays the protagonist’s mental state rife with conflict and contradictions. Through the mutual shifts and combinations of different media in 《Die Verwandlung》, I hopes to display the interdisciplinary creative spirit. The first chapter of this paper is an introduction, followed by the creative concepts and review of related literatures, which describes the motivations and developing process of the creative concepts and also collates literatures and analysis related to compositional techniques for text and music. The third chapter is the composition’s analysis and explanation, using three movements to describe its literatural structures and creative expression; the next chapter is the design and framework of the composition, which narrates the electronic music, lights, choreography, and images used. The fifth chapter is the epilogue which concludes the experience and reflection on the compositional processes and performance processes. Tung, Chao-Ming 董昭民 2016 學位論文 ; thesis 74 zh-TW |
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碩士 === 國立交通大學 === 音樂研究所 === 104 === 《Die Verwandlung》 is a multimedia musical composition that combines vocal, instrumental (french horn, violin, violoncello, piano), real-time electronic sounds, real-time images, choreography and light. The piece draws inspiration primarily from Franz Kafka’s German novel 《Metamorphosis》, explores and experiments with the probability of syntactical conversion between music and text. It also analyzes the relation between semiotical and phonological dimension. The piece is divided into three movements: Metamorphosis, Gefangen, and Verderblichkeit . The special shifts in the timbres through the different methods of playing instruments create the complex atmosphere of warping truth and fiction as in the novel. Moreover, through the unique combination of voice and instruments, the piece portrays the protagonist’s mental state rife with conflict and contradictions. Through the mutual shifts and combinations of different media in 《Die Verwandlung》, I hopes to display the interdisciplinary creative spirit.
The first chapter of this paper is an introduction, followed by the creative concepts and review of related literatures, which describes the motivations and developing process of the creative concepts and also collates literatures and analysis related to compositional techniques for text and music. The third chapter is the composition’s analysis and explanation, using three movements to describe its literatural structures and creative expression; the next chapter is the design and framework of the composition, which narrates the electronic music, lights, choreography, and images used. The fifth chapter is the epilogue which concludes the experience and reflection on the compositional processes and performance processes.
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author2 |
Tung, Chao-Ming |
author_facet |
Tung, Chao-Ming Chen, Yu-Jung 陳昱榮 |
author |
Chen, Yu-Jung 陳昱榮 |
spellingShingle |
Chen, Yu-Jung 陳昱榮 YU-JUNG CHEN MULTIMEDIA COMPOSITION RECITAL WITH A SUPPORTING PAPER “DIE VERWANDLUNG” : AN ORIGINAL COMPOSITION WITH COMMENTARY |
author_sort |
Chen, Yu-Jung |
title |
YU-JUNG CHEN MULTIMEDIA COMPOSITION RECITAL WITH A SUPPORTING PAPER “DIE VERWANDLUNG” : AN ORIGINAL COMPOSITION WITH COMMENTARY |
title_short |
YU-JUNG CHEN MULTIMEDIA COMPOSITION RECITAL WITH A SUPPORTING PAPER “DIE VERWANDLUNG” : AN ORIGINAL COMPOSITION WITH COMMENTARY |
title_full |
YU-JUNG CHEN MULTIMEDIA COMPOSITION RECITAL WITH A SUPPORTING PAPER “DIE VERWANDLUNG” : AN ORIGINAL COMPOSITION WITH COMMENTARY |
title_fullStr |
YU-JUNG CHEN MULTIMEDIA COMPOSITION RECITAL WITH A SUPPORTING PAPER “DIE VERWANDLUNG” : AN ORIGINAL COMPOSITION WITH COMMENTARY |
title_full_unstemmed |
YU-JUNG CHEN MULTIMEDIA COMPOSITION RECITAL WITH A SUPPORTING PAPER “DIE VERWANDLUNG” : AN ORIGINAL COMPOSITION WITH COMMENTARY |
title_sort |
yu-jung chen multimedia composition recital with a supporting paper “die verwandlung” : an original composition with commentary |
publishDate |
2016 |
url |
http://ndltd.ncl.edu.tw/handle/56uk6t |
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