Desiring the Other: the Intertextuality between Fiction and 1980s Films-using Love's Lone Flower, I Love Mary, and Boys from Fenggui as the examples

碩士 === 國立政治大學 === 台灣文學研究所 === 104 === The main purpose of this study is to argue the influence of culture, which being the Other in Lacanian psychoanalytic theory, in fiction and its film adaptation. That is, this study would elaborate how a subject's desire toward the Other could let the Other...

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Main Authors: Wu, Meng Han, 吳孟翰
Other Authors: Yang, Xiao Bin
Format: Others
Language:zh-TW
Published: 2015
Online Access:http://ndltd.ncl.edu.tw/handle/yhb8uy
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spelling ndltd-TW-104NCCU56250012019-05-15T22:08:25Z http://ndltd.ncl.edu.tw/handle/yhb8uy Desiring the Other: the Intertextuality between Fiction and 1980s Films-using Love's Lone Flower, I Love Mary, and Boys from Fenggui as the examples 欲望大他者:80年代電影與小說的互文性──以〈孤戀花〉、〈我愛瑪莉〉、〈風櫃來的人〉為例 Wu, Meng Han 吳孟翰 碩士 國立政治大學 台灣文學研究所 104 The main purpose of this study is to argue the influence of culture, which being the Other in Lacanian psychoanalytic theory, in fiction and its film adaptation. That is, this study would elaborate how a subject's desire toward the Other could let the Other affect the generation and transformation of the adaptation in every second. Hence, through the context of intertextuality, this study brings culture into the discussion between fiction and adaptation, and re-analyses two kinds of text by the structure of four discourses in Lacan’s psychoanalysis theory. Using the fiction Love's Lone Flower, I Love Mary, and Boys from Fenggui as the example, and comparing to their film adaptation, this study, in the end, points out three different types that, under the influence of culture, the adaptation would become: In master’s discourse, the adaptation could be the production, produced by the subject who chases after the Other’s jouissance. And in university’s discourse, it could be a confused situation that results from subject’s complete obedience to the Other. Or in analytic discourse, it could be a transcendent adaptation which is generated by the subject who traverses the Other’s fantasy. Yang, Xiao Bin 楊小濱 2015 學位論文 ; thesis 128 zh-TW
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language zh-TW
format Others
sources NDLTD
description 碩士 === 國立政治大學 === 台灣文學研究所 === 104 === The main purpose of this study is to argue the influence of culture, which being the Other in Lacanian psychoanalytic theory, in fiction and its film adaptation. That is, this study would elaborate how a subject's desire toward the Other could let the Other affect the generation and transformation of the adaptation in every second. Hence, through the context of intertextuality, this study brings culture into the discussion between fiction and adaptation, and re-analyses two kinds of text by the structure of four discourses in Lacan’s psychoanalysis theory. Using the fiction Love's Lone Flower, I Love Mary, and Boys from Fenggui as the example, and comparing to their film adaptation, this study, in the end, points out three different types that, under the influence of culture, the adaptation would become: In master’s discourse, the adaptation could be the production, produced by the subject who chases after the Other’s jouissance. And in university’s discourse, it could be a confused situation that results from subject’s complete obedience to the Other. Or in analytic discourse, it could be a transcendent adaptation which is generated by the subject who traverses the Other’s fantasy.
author2 Yang, Xiao Bin
author_facet Yang, Xiao Bin
Wu, Meng Han
吳孟翰
author Wu, Meng Han
吳孟翰
spellingShingle Wu, Meng Han
吳孟翰
Desiring the Other: the Intertextuality between Fiction and 1980s Films-using Love's Lone Flower, I Love Mary, and Boys from Fenggui as the examples
author_sort Wu, Meng Han
title Desiring the Other: the Intertextuality between Fiction and 1980s Films-using Love's Lone Flower, I Love Mary, and Boys from Fenggui as the examples
title_short Desiring the Other: the Intertextuality between Fiction and 1980s Films-using Love's Lone Flower, I Love Mary, and Boys from Fenggui as the examples
title_full Desiring the Other: the Intertextuality between Fiction and 1980s Films-using Love's Lone Flower, I Love Mary, and Boys from Fenggui as the examples
title_fullStr Desiring the Other: the Intertextuality between Fiction and 1980s Films-using Love's Lone Flower, I Love Mary, and Boys from Fenggui as the examples
title_full_unstemmed Desiring the Other: the Intertextuality between Fiction and 1980s Films-using Love's Lone Flower, I Love Mary, and Boys from Fenggui as the examples
title_sort desiring the other: the intertextuality between fiction and 1980s films-using love's lone flower, i love mary, and boys from fenggui as the examples
publishDate 2015
url http://ndltd.ncl.edu.tw/handle/yhb8uy
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