| Summary: | 碩士 === 崑山科技大學 === 視覺傳達設計研究所 === 107 === This thesis attempts to create a new reference for designing tea ceremonies and aims to explore the cultural development of the tea ceremony by means of visual communication design. First, starting in China and tracing the history of the "tea ceremony" culture, the study found that the "banquet" tea party in ancient times gradually became a gathering party for a few friends, with tea and tea utensils. One change led to another, from the complex to the simple and fine, to form a set of independent systems. The "design aesthetics in the tea culture" continued to be sorted out, from the drink itself to the spiritual level and with a certain artistic beauty. It was defined and became a cultural symbol. The tea ceremony design became a new fashion trend, destined to continue to develop.
The design concept of "The Power of the Island" is to construct a concept, theme setting, development type, tea appliance design, work implementation and presentation and exhibition presentation, using Taiwan as a theme concept, and combining it with my own imagination to complete the tea ceremony. The tea poem is the core of the whole creation.
Today's tea ceremony attempts to combine the two fields and become a new type of performance. Although the beauty of the exterior of the tea ceremony is infinitely imaginative, it is more important to return to the spiritual connotation of tea. In addition, each process is the accumulation of experience, and finally it conveys Taiwan’s abundance of humanistic thinking.
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