| Summary: | 碩士 === 輔仁大學 === 音樂學系 === 104 === The clarinet altissimo register fingerings is very complex and diverse. There are many possibilities of fingerings in the same high notes. If the player can use suitable fingerings, the practice will be more productive and the performance will be more easy and accessible for the performer. However, research in this aspect is poor and has no complete related literature in Taiwan. As a result, this study collects many literature and research from some related books and the network in other countries. It contains Boehm-system clarinet history, clarinet acoustic, close-pipe, tone-holes, harmonic series, altissimo register fingerings. After integrating the whole paper, this study will analyze partials and characteristics from each altissimo register fingerings. It will be structured complex fingerings into an easier way, and conduct an integrated research. Finally, the analysis results will be used practically in ten programs, including Eugene Bozza: Bucolique for Clarinet and Piano, Aaron Copland: Clarinet Concerto, Claude Debussy: Première Rhapsodie, Jean Françaix: Tema con Variazion, Scott McAllister: X, Francis Poulenc: Clarinet Sonata, Maurice Ravel : Daphnis et Chloé, Gioachino Rossini: Introduction, theme, and Variations for Clarinet, C.M.V. Weber: Clarinet Concerto No.2 in E flat major, Charles-Marie Widor: Introduction and Rondo. This study hopes to give the clarinetist more choice of fingerings, to provide an easier way for playing skills.
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