歌仔戲《竹塹林占梅》及客家戲《潛園風月》 表演文本之研究

• Main Authors: Chen-Yu Hu, 胡宸宇
• Other Authors: Kuo-Chun Lee
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/2j7c5z

碩士 === 佛光大學 === 藝術學研究所 === 104 === In this study, Taiwan's "opera" and "Hakka drama" explore the history, development in a multicultural environment rapidly evolved from the local opera turn into drama. Now also subject to social and environmental impacts, and constantly requires innovative repertoire, improved performance mode, variants clothing, performing modern "opera", "Hakka drama." Discussion modern "opera," development "Hakka drama" to Taiwan in the Qing Dynasty historical figures Lin Zhanmei example, adapted into opera performances from "Holo Taiwanese opera" "Hsinchu 林占梅 - latent Park Story" and "a Hakka A Comparative Study of the troupe, "" hidden garden Temptress Moon "Both works. The same historical background, different plays, choreography, etc., to be innovative and improved traditional elements. Traditional Hakka opera rigid, although the absorption pluralistic art element, had always believed the traditional Hakka drama, "Four Gong five law" simply can not be abandoned. "Holo Taiwanese opera" with veteran actor interpretation of "Hsinchu 林占梅 - latent Park Story", "a Hakka troupe" "hidden garden love affair" with the new generation of actors to play the leading role parliaments and to represent the spirit of the Hakka cultural heritage of opera, Today also because of the environmental impact, the traditional elements are no longer accepted the audience, but also to "external innovation" "Inner Traditions' element choreography play, study this improved way. This research on both performances, text, music, stage design as compared to explore the development of modern drama and impact, and make recommendations for the development of modern researchers a little opera.