Motivation of Hong Kong Drama Amateur Participation

碩士 === 國立臺北藝術大學 === 藝術行政與管理研究所 === 103 === Audience development is a common topic between art administration and art education. A faithful group of audience is also an important basis for performance art industry. From the macro perspective of artistic ecology, individual involvement in creating and...

Full description

Bibliographic Details
Main Authors: Shuk-Yin Lo, 羅淑燕
Other Authors: 余昕晏
Format: Others
Language:zh-TW
Published: 2015
Online Access:http://ndltd.ncl.edu.tw/handle/49766040803077705449
Description
Summary:碩士 === 國立臺北藝術大學 === 藝術行政與管理研究所 === 103 === Audience development is a common topic between art administration and art education. A faithful group of audience is also an important basis for performance art industry. From the macro perspective of artistic ecology, individual involvement in creating and appreciating art counts as a way of art participation. Kreidler and Tronstine point out in their framework of cultural ecology that, artistic practice “in a non-professional context for involvement in cultural activities” such as amateur theatre participation, helps sustain professional productions and services. Therefore, amateur artistic involvement should be seen as more than “entertainment and recreation”, irrelevant to the art industry. As cultural policy makers, art administrators and art educators are advised to understand art involvement as a significant part for art development from various perspectives. This research conducted in focus group as research method which was used to make the interviewees discuss in depth about their experience in drama participation. The researcher came up five major findings from 19 interviewee experiences and discussion.