The Trace of Place Shift

碩士 === 國立臺北藝術大學 === 造形研究所 === 103 === The main point of this essay is using the striking sensations that the creator perceived in different kinds of environment in his life as an axis. Its content displayed the interplay of creating and environment, which affected the basis and process of creation....

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Main Authors: Tek-Khean Lee, 李迪權
Other Authors: LIU HSI-CHUAN
Format: Others
Language:zh-TW
Published: 2014
Online Access:http://ndltd.ncl.edu.tw/handle/3p3e79
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spelling ndltd-TW-103TNUA55800032019-05-16T00:00:48Z http://ndltd.ncl.edu.tw/handle/3p3e79 The Trace of Place Shift 空間移動的痕跡 Tek-Khean Lee 李迪權 碩士 國立臺北藝術大學 造形研究所 103 The main point of this essay is using the striking sensations that the creator perceived in different kinds of environment in his life as an axis. Its content displayed the interplay of creating and environment, which affected the basis and process of creation. “The Trace of Place Shift”was chosen as the title in order to the explore the relationship amongst the changes in environment, ego, psychological status, physical emotions and so on, further more to review and inspect the format and contents of my works, in order to redefine my inner contemplating system and form. There are five chapters in this thesis. Chapter one is the preface, which includes the motive, purpose, content and scope of the research, and which is to define the research and to illustrate the relationship between the environment and my works. Chapter two focuses on the artist’s consciousness and techniques in the course of creating, elaborates also upon the mediums employed. Chapter three analyzes the theme in the form and style of my works in connection with modern art. Chapter four, the conclusion, summarizes the creation history and contains detailed exposition of my works. Chapter five the Conclusion, summarizes the creation history of works and reflects future extension. LIU HSI-CHUAN 劉錫權 教授 2014 學位論文 ; thesis 60 zh-TW
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description 碩士 === 國立臺北藝術大學 === 造形研究所 === 103 === The main point of this essay is using the striking sensations that the creator perceived in different kinds of environment in his life as an axis. Its content displayed the interplay of creating and environment, which affected the basis and process of creation. “The Trace of Place Shift”was chosen as the title in order to the explore the relationship amongst the changes in environment, ego, psychological status, physical emotions and so on, further more to review and inspect the format and contents of my works, in order to redefine my inner contemplating system and form. There are five chapters in this thesis. Chapter one is the preface, which includes the motive, purpose, content and scope of the research, and which is to define the research and to illustrate the relationship between the environment and my works. Chapter two focuses on the artist’s consciousness and techniques in the course of creating, elaborates also upon the mediums employed. Chapter three analyzes the theme in the form and style of my works in connection with modern art. Chapter four, the conclusion, summarizes the creation history and contains detailed exposition of my works. Chapter five the Conclusion, summarizes the creation history of works and reflects future extension.
author2 LIU HSI-CHUAN
author_facet LIU HSI-CHUAN
Tek-Khean Lee
李迪權
author Tek-Khean Lee
李迪權
spellingShingle Tek-Khean Lee
李迪權
The Trace of Place Shift
author_sort Tek-Khean Lee
title The Trace of Place Shift
title_short The Trace of Place Shift
title_full The Trace of Place Shift
title_fullStr The Trace of Place Shift
title_full_unstemmed The Trace of Place Shift
title_sort trace of place shift
publishDate 2014
url http://ndltd.ncl.edu.tw/handle/3p3e79
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