| Summary: | 碩士 === 國立臺北藝術大學 === 造形研究所 === 103 === The main point of this essay is using the striking sensations that the creator perceived in different kinds of environment in his life as an axis. Its content displayed the interplay of creating and environment, which affected the basis and process of creation. “The Trace of Place Shift”was chosen as the title in order to the explore the relationship amongst the changes in environment, ego, psychological status, physical emotions and so on, further more to review and inspect the format and contents of my works, in order to redefine my inner contemplating system and form.
There are five chapters in this thesis. Chapter one is the preface, which includes the motive, purpose, content and scope of the research, and which is to define the research and to illustrate the relationship between the environment and my works. Chapter two focuses on the artist’s consciousness and techniques in the course of creating, elaborates also upon the mediums employed. Chapter three analyzes the theme in the form and style of my works in connection with modern art. Chapter four, the conclusion, summarizes the creation history and contains detailed exposition of my works. Chapter five the Conclusion, summarizes the creation history of works and reflects future extension.
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