| Summary: | 碩士 === 國立臺北藝術大學 === 音樂學研究所 === 103 === It''s a study about Huan-Zhen Su''s exclusive soundtrack in Taiwan''s Pili Glove Puppetry.The main purpose of this study is to discuss how Taiwan Pili music listeners in the manufacture of hearing "familiarity" to deepen the audience for the role "identity.In Taiwanese puppet music, especially the “Pili Puppetry”, the using of its music and recording techniques are integral. This study will review some theory those are related, based on the musical change before and after the development of recording media. Explaining how the appearance of recording media affect musical cognition and musical behavior. Furthermore, to investigate how the interaction between recording media and sociality change affect musical cognition. In the final part, trying to clarify conceptions of changing musical meaning and the musical authenticity and popular music in Taiwanese puppetry music.
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