| Summary: | 碩士 === 國立臺南藝術大學 === 動畫藝術與影像美學研究所 === 103 === This thesis is mainly about French film director Agnès Varda and her “Cine-writing” (cinécriture). Through the way of her blended-form film to comprehend the mobility of subjectivity. Researcher analyses her changing images from three aspects: intertextuality, dual vision and memory Construction. Chapter 2 focus on her work: “L'Opéra-Mouff, 1958”, “Ulysses, 1982” and “Les Glaneurs et la Glaneuse, 2000. Chapter 3 starts to discuss “Cléo de 5 à 7, 1961 ” and “Sans toit ni loi, 1985”. And chapter 4 is about “Les plages d'Agnè, 2009”.
Understanding Varda’s film is like waking into a maze filled with her passion and insight. We can find out her thought and proposition within her cine-writing, and also feel her characteristic hidden beneath the humorous game. She created the work with abundant creativity and profound self-reflections.
Keywords: Cine-writing (cinécriture), Agnès Varda, intertextuality, subjectivity, memory.
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