A Study About Triggering Odysseys Through Atmosphere: Based On the Creation in NCCU Campus

碩士 === 國立臺南藝術大學 === 建築藝術研究所 === 103 === During 2013 to 2014, the Interbreeding Field Group was invited by NCCU to join an environmental art action. Group members had created works on the key points of campus. Those creations are based on creators’ bodily sensations and feelings about the surroun...

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Bibliographic Details
Main Authors: Hsin, SHYU, 徐莘
Other Authors: 呂理煌
Format: Others
Language:zh-TW
Published: 2015
Online Access:http://ndltd.ncl.edu.tw/handle/6rd5hr
Description
Summary:碩士 === 國立臺南藝術大學 === 建築藝術研究所 === 103 === During 2013 to 2014, the Interbreeding Field Group was invited by NCCU to join an environmental art action. Group members had created works on the key points of campus. Those creations are based on creators’ bodily sensations and feelings about the surrounding, and yet we emerged them with our bare hands. Due to the method we use, which is long-term stationed and on-site hand building, creators could observe the reactions from users and modified the work while building. Hence the relationship between the works, users, and creators had become like a conversation in the space. Author believes that in the campus, the works we’ve done would transmit our fantasy onto the users through the atmosphere in space. As the experiences and memories to this field accumulating, there are images formed in users’ mind and keep re-annotate from time to time. From the experiences as a group member of Interbreeding Field, author had noticed that “platform” plays a yeast-like promoter in the field, and defines new spatial character and relationships. This essential element creates an interface that is easy-to-close and multi-functional, thus people would be guided by which to start exploring the field. So, in the work〈Roving Under Sunshine〉, author piled up platforms in different sizes and height, and redefine the space from old structures. Platforms then organized to be route, path, intersection, and even formed a new topography. When people get into this work, they are triggered to bend over, climb on the structure, and then stretch their body. Their body postures and orientations are constantly changing, thus making the experience in this work become a playful journey. In this case, author intends to create a place where people could simply just hanging around, temporarily escaping from the compressive school livelihood. Moreover, author would like to discuss the connection between body sensation and spiritual pondering. While a person gets stimulation through a relief roving status, this experience may plant in one’s mentation. And the journey in the field might have become an odyssey of self-recognition, pulled out from the locket of one’s memory through the time passes.