Digital Visual Effects Composition Techniques for Koshien Scenes of KANO
碩士 === 南臺科技大學 === 多媒體與電腦娛樂科學系 === 103 === Digital visual effects are quite widely used in film post-production, which is due to meet aside from viewing quality of the audiences, but also to compensate for film shooting situation which cannot be achieved in certain scenarios, for example: inadequate...
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ndltd-TW-103STUT86410102017-04-22T04:32:38Z http://ndltd.ncl.edu.tw/handle/27761823633638654307 Digital Visual Effects Composition Techniques for Koshien Scenes of KANO 電影《KANO》甲子園鏡頭之數位視覺特效合成技法 Liu, Wen-Hao 劉文豪 碩士 南臺科技大學 多媒體與電腦娛樂科學系 103 Digital visual effects are quite widely used in film post-production, which is due to meet aside from viewing quality of the audiences, but also to compensate for film shooting situation which cannot be achieved in certain scenarios, for example: inadequate funding, difficulties in setting up location scenes, personnel security, and etc. Therefore in the process of making a movie, more and more are dependent on digital visual effects, and in the digital age, lowering the threshold for the production of visual effects, therefore there are a substantial increase in the proportion of demand in digital visual effects. In order for the theatrical release of the movie "KANO", you must use digital visual effects shots quite a lot, and I have the opportunity to participate in the movie "KANO" post-production, it is to understand the production process and related technology involved while producing the movie. But because of the numbers of the scenes for post-production is too large, in this thesis research, I will choose a scene of Koshien for an example, to gain insight into the production process of digital visual effects. This study first analyzed the production of digital synthesis techniques commonly used digital visual effects, and these are divided into four categories: "Tracking", "Rotoscoping", "Composition", and "Match Color". Then for each process we will discuss more in-depth of their use of time, skill and differences. After understanding the digital visual effects compositing techniques, then implementing these shots into the movie "KANO" Koshien scenes. You can quickly understand the cinema digital visual effects production process, and in this case study can be found that the digital visual effects can do something quite broad, and there are considerable rooms for development. Chiu,Cheng-Ning 邱正寧 104 學位論文 ; thesis 82 zh-TW |
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碩士 === 南臺科技大學 === 多媒體與電腦娛樂科學系 === 103 === Digital visual effects are quite widely used in film post-production, which is due to meet aside from viewing quality of the audiences, but also to compensate for film shooting situation which cannot be achieved in certain scenarios, for example: inadequate funding, difficulties in setting up location scenes, personnel security, and etc. Therefore in the process of making a movie, more and more are dependent on digital visual effects, and in the digital age, lowering the threshold for the production of visual effects, therefore there are a substantial increase in the proportion of demand in digital visual effects.
In order for the theatrical release of the movie "KANO", you must use digital visual effects shots quite a lot, and I have the opportunity to participate in the movie "KANO" post-production, it is to understand the production process and related technology involved while producing the movie. But because of the numbers of the scenes for post-production is too large, in this thesis research, I will choose a scene of Koshien for an example, to gain insight into the production process of digital visual effects.
This study first analyzed the production of digital synthesis techniques commonly used digital visual effects, and these are divided into four categories: "Tracking", "Rotoscoping", "Composition", and "Match Color". Then for each process we will discuss more in-depth of their use of time, skill and differences.
After understanding the digital visual effects compositing techniques, then implementing these shots into the movie "KANO" Koshien scenes. You can quickly understand the cinema digital visual effects production process, and in this case study can be found that the digital visual effects can do something quite broad, and there are considerable rooms for development.
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author2 |
Chiu,Cheng-Ning |
author_facet |
Chiu,Cheng-Ning Liu, Wen-Hao 劉文豪 |
author |
Liu, Wen-Hao 劉文豪 |
spellingShingle |
Liu, Wen-Hao 劉文豪 Digital Visual Effects Composition Techniques for Koshien Scenes of KANO |
author_sort |
Liu, Wen-Hao |
title |
Digital Visual Effects Composition Techniques for Koshien Scenes of KANO |
title_short |
Digital Visual Effects Composition Techniques for Koshien Scenes of KANO |
title_full |
Digital Visual Effects Composition Techniques for Koshien Scenes of KANO |
title_fullStr |
Digital Visual Effects Composition Techniques for Koshien Scenes of KANO |
title_full_unstemmed |
Digital Visual Effects Composition Techniques for Koshien Scenes of KANO |
title_sort |
digital visual effects composition techniques for koshien scenes of kano |
publishDate |
104 |
url |
http://ndltd.ncl.edu.tw/handle/27761823633638654307 |
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