| Summary: | 博士 === 世新大學 === 傳播研究所(含博士學位學程) === 103 === In 1949, Beijing Opera was following the KMT (Chinese Nationalist Party) into The Taiwan passing through 65 years until now, during the intervening years, it had been happen to a cultural political movement names to “Chinese Culture Renaissance Movement”(from Nov. 12 1966 to Mar. 28, 1991), this movement accelerated Beijing opera growing more strengthen and toward to while new fresh (Beijing opera) performing style different with original (Beijing-stylish and Shanghai-stylish) in Taiwan.
Looking back to shaped about this movement means to against “Cultural Revolution” (from May. 16, 1966 to Oct. 6, 1976) aggressively to “Destroy the Four Olds and Cultivate the Four News” in Mainland China. Meanwhile, comparing with miserable situation of traditional Beijing Opera in Mainland; The other side in Taiwan, the governor (Chiang Kai-shek) takes to inverse operation to rising Beijing Opera going to be “Chinese Opera” (symbol of the national type of drama) and offering abundantly resources to heavily promote it.
According to this research, it will use to historical study, depth interview and triangulation methods to configurative rhetorical vision the ecology of Beijing Opera in Taiwan, furthermore, exploring the possibility created to the newborn regional aesthetic stylish of “Taiwanese-Beijing Opera” 21st century in the future.
|
|---|
