The Musical Feature and Techniques of Chinese Bamboo Flute in Jinagnan Sizhu--A Case Study of "Chao Yuan Ge", "Huan Le Ge", "Xing Jie" and "Zhe Gu Fei".

• Main Authors: Wu, Nai-Hsien, 吳乃先
• Other Authors: Wu, Chung-Hsien
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/e348n2

碩士 === 中國文化大學 === 音樂學系中國音樂組 === 103 === 　　In 300 years' development, Jiang Nan Si Zhu, which derived from Kun Opera and folk music, emerged in response to the times. Initially, it had its social functions, such as performances on festivals and recreation in living. The creative folk artists often indulged themselves in Jiang Nan Si Zhu music in their daily life. they coordinated with one another with mutual and wordless understanding in each performance; as a result, many classic songs were gradually generated. In this research, the author focused on bamboo flute solos in Jiang Nan Si Zhu music, including ：《Chao Yuan Ge》,《Huan Le Ge》,《Xing Jie》 and 《Zhe Gu Fei》. These four songs were composed by representative skills along with the sweet and beautiful tone of the bamboo flute, expressing the folk air and customs in Jiang Nan and the easy, agreeable state in an Age of Peace and Prosperity. Among the musical techniques, "tone", the euphemistic "aria" in Kun Opera's accompaniment, the "elaboration" skill operated freely by the folk artists, and the "impromptu" characteristic are worthy of our exploration. As far as the author is concerned, what he perceives in Jiang Nan Si Zhu is the moderate stableness and fullness in a reserved sense, powerful yet not aggressive, tender yet not weak. The mellow tone arouses sympathy in heart, demonstrating not only the personal philosophy and thought, but also a sense of mission burning inside the author. It is expected that the aesthetic quality a traditional musical professional should inherit can be extracted and presented in this study.