Open-Photography Policy in Art Museums: a Case Study on Museum of Contemporary Art, Taipei

• Main Authors: Liu, Hsiu-Tsen, 劉修岑
• Other Authors: Lai, Ying-Ying
• Format: Others
• Language: zh-TW
• Published: 2015
• Online Access: http://ndltd.ncl.edu.tw/handle/h7ubp9

碩士 === 國立臺灣藝術大學 === 藝術管理與文化政策研究所 === 103 === The contemporary art museums are now facing the challenges in management and attitude caused by technology facilities. This study focuses on the phenomenon that visitors take photos in museum and sorts out the development regarding the issue in all large art museums globally, which summarized three stages: interdiction, authorization and encouragement. Taking the first museum with contemporary art in Taiwan which is also the first one allowing visitors to take photo with camera flash mode off as the research subject, it conducts audience measurement. With the comparison and contract between the questionnaire survey in quantitative research and literature review as well as in-depth interview in qualitative research, the study explores the features of audience group who take photo in art museums and learns the implementation of open-photography policy, by which it expects to arouse the museum administrators’ attention on the policy. Besides, the results of study point out that most audience take photo for personal or social reasons. Thus, proposed in the conclusion the concept on art museums visitor's photographic seeing. Let visiting art museums become an educative leisure by combining sightseeing photography motivation with learning, a new way to experience art museums through photography. Also, proposed a new approach on photography management, by spreading the experience in the case study on Museum of Contemporary Art, Taipei and French photography management charter to other art museums in Taiwan, to serve as primary references for open-photography policy.